.jpg) |
| Don Bryant poses for a press photograph during the promotion of his 2017 comeback album “Don’t Give Up on Love.” The Memphis soul singer and songwriter, whose work included co-writing Ann Peebles’ classic “I Can’t Stand the Rain,” died Dec. 26 after a series of health issues. He was 83. (Matt White, CC BY-SA 4.0, via Wikimedia Commons) |
“Don loved sharing his music and songs with all of you and it gave him such great joy to perform and record new music,” his family wrote. “He was so appreciative of everyone who was part of his musical journey and who supported him along the way.”
Bryant’s legacy is inseparable from one of the most enduring recordings in Southern soul: “I Can’t Stand the Rain,” the 1973 Peebles hit he co-wrote with her and Bernard “Bernie” Miller. Built on spare instrumentation and emotional restraint, the song became a masterclass in atmosphere — intimate, tense and unflinching. Decades later, it took on a second life when its opening rhythm was sampled for Missy Elliott’s debut solo single, “The Rain (Supa Dupa Fly),” extending Bryant’s Memphis-born sensibility into the DNA of modern hip-hop.
Born in Memphis and raised in the church, Bryant learned early that soul music was as much about discipline as expression. His father sang in a gospel group, and rehearsals often took place in the family home. Bryant later recalled listening closely, absorbing harmony and phrasing, then attempting to recreate the sound with his brothers — an informal education that shaped both his voice and his pen.
By the late 1950s, Bryant was already writing songs, some of which were recorded by the Five Royales and bandleader Willie Mitchell. As a teenager, he sang with various vocal groups and began performing regularly, eventually drawing the attention of influential Memphis radio figures who encouraged his move from gospel into secular music.
That determination carried him into Hi Records’ orbit during the 1960s. Bryant recorded as a solo artist, releasing the 1969 album “Precious Soul” and singles that blended country, blues and deep soul without sacrificing grit.
As Hi’s roster expanded, he shifted behind the scenes, becoming a staff songwriter whose catalog would grow to more than 150 credited songs. Writing for artists including Solomon Burke, Albert King and Etta James, Bryant developed a reputation for adaptability and precision.
He later explained that studying an artist’s phrasing and delivery helped him tailor material to their voice. “When I was writing for an individual I could always come up with something that would fit them,” Bryant said in an interview with Blues Blast Magazine.
The defining partnership of Bryant’s life began in the early 1970s, when he met Peebles, a young singer newly signed to Hi. “That’s when I wrote ‘99 Pounds’ — that’s the one I wrote especially for Ann when she first came in,” Bryant recalled in later interviews. “To tell you the truth, I fell in love with Ann then, when I heard her sing.” The two married in 1974 and remained partners for the next four decades, creatively and personally.
Bryant wrote or co-wrote many of Peebles’ signature songs, helping her deliver a body of work that balanced sensuality with resolve and vulnerability with strength. His writing favored economy over excess — songs built around mood, tension and emotional truth rather than ornamentation. That restraint is precisely what allowed records like “I Can’t Stand the Rain” to age so well, surviving reinterpretation across genres without losing their core.
For years, Bryant placed his own recording ambitions aside, focusing on Peebles’ career while continuing to sing in church and release gospel recordings. When Peebles suffered a stroke in 2012, her touring life came to a halt. With her encouragement, Bryant returned to secular music late in life, recording “Don’t Give Up on Love” in 2017 — his first non-gospel album in nearly five decades. The record was widely praised not as a novelty comeback, but as the work of an artist who had simply been waiting for the right moment to speak again.
He followed with “You Make Me Feel,” released in 2020, which earned him his first Grammy nomination in the Best Traditional Blues Album category. The recognition arrived when Bryant was 78, a rare acknowledgment of a career that had quietly shaped American music for more than half a century.
The defining partnership of Bryant’s life began in the early 1970s, when he met Peebles, a young singer newly signed to Hi. “That’s when I wrote ‘99 Pounds’ — that’s the one I wrote especially for Ann when she first came in,” Bryant recalled in later interviews. “To tell you the truth, I fell in love with Ann then, when I heard her sing.” The two married in 1974 and remained partners for the next four decades, creatively and personally.
Bryant wrote or co-wrote many of Peebles’ signature songs, helping her deliver a body of work that balanced sensuality with resolve and vulnerability with strength. His writing favored economy over excess — songs built around mood, tension and emotional truth rather than ornamentation. That restraint is precisely what allowed records like “I Can’t Stand the Rain” to age so well, surviving reinterpretation across genres without losing their core.
For years, Bryant placed his own recording ambitions aside, focusing on Peebles’ career while continuing to sing in church and release gospel recordings. When Peebles suffered a stroke in 2012, her touring life came to a halt. With her encouragement, Bryant returned to secular music late in life, recording “Don’t Give Up on Love” in 2017 — his first non-gospel album in nearly five decades. The record was widely praised not as a novelty comeback, but as the work of an artist who had simply been waiting for the right moment to speak again.
He followed with “You Make Me Feel,” released in 2020, which earned him his first Grammy nomination in the Best Traditional Blues Album category. The recognition arrived when Bryant was 78, a rare acknowledgment of a career that had quietly shaped American music for more than half a century.
.jpg){kind=link}