Monday, November 9, 2026

Eminem Publisher Accuses AI Music Company of Copying 269 Songs in Multimillion-Dollar Lawsuit

Eminem performing at the Concert for Valor in 2014
Eminem performs at the Concert for Valor in Washington on Nov. 11, 2014. Music publishers controlling rights to 269 of his compositions have sued AI company Suno, alleging copyright infringement. (EJ Hersom/DoD News via Wikimedia Commons, CC BY 2.0; cropped)
An artificial intelligence company accused of using Eminem's music without permission is facing a federal lawsuit that alleges its technology can reproduce the rapper's lyrics almost word for word — even as the company maintains that its safeguards prevent unauthorized copying.
Eight Mile Style LLC and Martin Affiliated LLC filed the lawsuit Friday in San Francisco against Suno Inc., the company behind an AI music generator that creates songs from text prompts.

The publishers accuse Suno of copying 269 Eminem compositions, including "Lose Yourself," "Stan," "Without Me," "Till I Collapse" and "The Real Slim Shady," to train its technology without obtaining a license.

But the 36-page complaint goes further than allegations about what Suno used to train its software. It identifies specific songs allegedly generated by the platform that reproduce existing Eminem lyrics.

One example, a Suno track titled "Lose Yourself By Eminem," is compared line by line with the original in the court filing. The publishers allege that the generated version reproduces the song's introduction, first verse and chorus with only minor differences in wording and punctuation.

Other examples cited in the lawsuit involve "Till I Collapse," "The Real Slim Shady" and "Houdini."

The publishers are seeking up to $40.35 million in statutory copyright damages, calculated at $150,000 for each of the 269 compositions. They also seek separate damages for alleged violations involving access controls and the removal of copyright ownership information.

Eminem, whose legal name is Marshall Mathers, is not personally a plaintiff in the lawsuit.

Suno disputes unauthorized use of artists' work.

In a statement provided to news outlets, company spokesperson Cat McCormack said Suno is designed to help people create original music and prohibits unauthorized use of copyrighted material.

The company says it blocks prompts naming specific artists or songs, uses third-party services to screen uploaded audio and lyrics, and continues to strengthen its safeguards.

The publishers challenge the effectiveness of those restrictions.

Their complaint describes online tools and tutorials that allegedly help users work around artist-name restrictions by substituting detailed descriptions of a performer's sound. It also cites examples of users requesting songs associated with Eminem through altered spellings and other prompts.

The lawsuit accuses Suno of using automated scraping tools to obtain copyrighted material from streaming and other online services, including methods the publishers say circumvented technological protections.

It further alleges that the company's data-processing methods stripped identifying information from copyrighted works, including songwriter names and publisher details.

Those allegations form three separate claims: direct copyright infringement, circumvention of technological protection measures and removal or alteration of copyright management information.

The publishers want a court to prohibit further infringement, order the surrender or destruction of unauthorized copies and require an accounting of the material Suno used to train its systems. The requested destruction would extend to copies allegedly retained in training datasets and other technical infrastructure.

The case raises two related questions: whether an AI company can legally use copyrighted music to train a commercial system without permission, and whether the songs it generates infringe the originals.

It arrives amid a broader legal fight between music rights holders and AI developers. Suno is already facing copyright challenges from other recording and publishing companies.

Eight Mile Style has also pursued copyright litigation involving Eminem's music against other technology companies, including Meta.

After Nipsey Hussle’s Death, Jay-Z Helped His Family Overcome a Business Crisis

During an appearance on the "One54 Africa" podcast, Nipsey Hussle's brother, Samiel "Blacc Sam" Asghedom (right), discusses how Jay-Z and Roc Nation helped The Marathon Clothing secure a partnership with Live Nation after the rapper's death in 2019. (Screenshot/One54 Africa)
Jay-Z's support for Nipsey Hussle didn't end when the rapper was killed in 2019. According to Hussle's older brother, it helped keep the clothing business they built together from being overwhelmed by orders in the aftermath of his death.

Samiel "Blacc Sam" Asghedom revealed how Jay-Z and Roc Nation helped connect The Marathon Clothing with concert giant Live Nation during a recent appearance on the "One54 Africa" podcast.

The family was facing a flood of orders it lacked the resources to produce or ship, Sam said.

"We had so many orders that we didn't even have a way to ship out or produce," he recalled.

Live Nation initially offered to help clear the backlog and keep the website operating, even if the companies never reached a formal business agreement.

That offer, Sam said, came through the involvement of Jay-Z and Roc Nation.

WATCH: Blacc Sam explains how Jay-Z, Roc Nation and Live Nation helped The Marathon Clothing respond to overwhelming orders after Nipsey Hussle's death. Watch on YouTube. Video: One54 Africa.

A partnership followed, with Live Nation providing a substantial advance and taking over merchandise operations. The arrangement gave the family access to the company's production and fulfillment network at a time when demand for Nipsey-related products had surged.

It also provided something Sam hadn't fully anticipated: legal muscle.

Live Nation's attorneys pursued counterfeit merchandise, unauthorized websites and other potential infringements involving Nipsey's intellectual property and the Marathon brand, he said.

Those weren't the only threats the family faced.

Sam described a separate effort by people attempting to claim rights associated with the Marathon name. He said attorneys who had previously assisted his brother helped challenge the claim, which was eventually abandoned.

He did not identify those involved.

With Live Nation's resources, Sam said, the clothing business was able to expand, recoup the advance and eventually move back toward operating on its own. He did not disclose the financial terms of the partnership.

Jay-Z's involvement continued a relationship that had drawn attention years before Nipsey's death.

In 2013, when Nipsey challenged conventional music sales by offering his "Crenshaw" mixtape for $100, Jay-Z bought 100 copies — a $10,000 show of support for the independent rapper's business strategy.

That connection has remained visible.

The Marathon Clothing collaborated with Jay-Z on merchandise celebrating his 30-year recording career, including items tied to his October performances at SoFi Stadium in Inglewood, California.

Sam said Jay-Z also surprised the family by appearing onstage wearing an official All Money In chain, paying tribute to Nipsey and the independent label he founded.

The gesture meant something to Sam, who said Jay-Z's longtime associate Emory Jones helped maintain the relationship between the artists and their businesses.

Nipsey was fatally shot March 31, 2019, outside his Marathon Clothing store in South Los Angeles. He was 33.

His brother has since overseen the expansion of the family's ventures, including Marathon Burger, which recently opened a location at Los Angeles International Airport.

But Sam's account also reveals how vulnerable the business was in the early days after Nipsey's death, when the family was simultaneously protecting his legacy and managing demand on a scale it hadn't been prepared to handle.

The assistance, he said, reflected the relationships Nipsey had built while he was alive.

"We had a lot of help," Sam said, crediting those relationships and the support his brother continued to inspire.

Thursday, November 5, 2026

Rude Boys Founder Melvin Sephus, Who Helped Shape '90s R&B, Dies at 61

The Rude Boys on their 1990 debut album Rude Awakening
The Rude Boys appear on the cover of their 1990 debut album, "Rude Awakening." The group scored two No. 1 R&B hits with "Written All Over Your Face" and "Are You Lonely for Me." Founding member Melvin Sephus died Oct. 28, 2026, at age 61. (Atlantic Records/Rhino)
Melvin Sephus, a founding member of the Cleveland R&B group the Rude Boys, whose hits "Written All Over Your Face" and "Are You Lonely for Me" topped Billboard's R&B chart in the early 1990s, has died. He was 61.

Sephus died Oct. 28, according to Gaines Funeral Home in Ohio, which has announced funeral arrangements. No cause of death has been publicly disclosed.
The singer, songwriter and musician was part of a quartet whose success grew out of Cleveland's thriving R&B scene and a chance encounter with Gerald Levert, the singer and producer who helped launch their career.

The Rude Boys — Sephus, Larry "Bingo" Marcus, Edward "Buddy" Banks and Joe Little III — came together in the late 1980s. Levert discovered the group performing locally and helped secure a recording deal with Atlantic Records.

Their 1990 debut album, "Rude Awakening," initially struggled to produce a major hit. That changed with "Written All Over Your Face."
The Rude Boys featuring Gerald Levert, "Written All Over Your Face," from the 1990 Atlantic Records album "Rude Awakening." (Audio: Rhino Atlantic)
The song, written by Marcus and featuring guest vocals from Levert, reached No. 1 on Billboard's R&B chart in 1991 and crossed over to No. 16 on the Hot 100. It spent 31 weeks on the R&B chart and finished the year as Billboard's top R&B single.

The recording prominently featured the voices of Little and Banks, supported by the quartet's harmonies and Levert's unmistakable presence.

The follow-up, "Are You Lonely for Me," also topped the R&B chart, giving the group two No. 1 hits from its debut album. Another single, "Heaven," reached the R&B top 20.
"Are You Lonely for Me," the Rude Boys' second No. 1 R&B single from their debut album. (Audio: Rhino Atlantic)
The Rude Boys arrived during the rise of new jack swing, but their music retained much of the traditional vocal-group sound associated with the O'Jays, LeVert and other soul acts from their hometown.

Sephus' contributions extended beyond singing.

On the group's second album, "Rude House," released in 1992, he received credits for vocals, keyboards, production and vocal arrangements.

That album produced "My Kinda Girl," another R&B hit with an unexpected place in hip-hop history. A remix by DJ Clark Kent featured a young Jay-Z, years before the Brooklyn rapper released his debut album, "Reasonable Doubt."

Sephus also maintained his musical relationship with the Levert family.

He contributed production and background vocals to "I Got Your Back," a song from Gerald Levert's 1995 collaboration with his father, Eddie Levert of the O'Jays, on the album "Father & Son.

The Rude Boys returned with a third album, "Rude as Ever," in 1997. Their commercial success never again matched the early Atlantic recordings, but the group's ties to Cleveland's soul music community endured.

Following Gerald Levert's death in 2006, members reunited to sing at his funeral, honoring the man who helped bring their music to national audiences.

The Rude Boys were inducted into the National Rhythm & Blues Hall of Fame in 2019.

Sephus was the third member of the group's best-known original lineup to die. Marcus died in 2016 and Banks in 2020, leaving Little as the last surviving member of that quartet.

His family has established an online fundraiser to help pay for funeral services, burial expenses, a headstone and a gathering in his memory.

"He gave the world his voice, his music, his talent, and his heart," relatives wrote in the appeal, organized by Maleya Johnson on behalf of the Sephus and Johnson family.

A public viewing is scheduled for Friday, Nov. 13, from 5 to 8 p.m. at Gaines Funeral Home, 5386 Lee Road in Maple Heights, Ohio.

A wake will follow at 11 a.m. Saturday, Nov. 14, with a celebration of life at noon at Zion Hill Missionary Baptist Church, 11115 Kinsman Road in Cleveland. Burial is scheduled at Evergreen Memorial Park Cemetery.

Slider[Style1]

Trending