Thursday, October 22, 2026

Eminem's Former Engineer Admits Selling Unreleased Music for $50,000

Eminem photographed at his Mom's Spaghetti restaurant in September 2021
Eminem is photographed at his Mom's Spaghetti restaurant in September 2021. A former studio employee pleaded guilty Thursday to selling the rapper's unreleased recordings. (Brendan_linden/Wikimedia Commons)

Joseph Strange helped operate the computer system that held Eminem's unreleased recordings. Now he has admitted selling music taken from that system for about $50,000.

Strange, 48, of Holly, Michigan, pleaded guilty Thursday to criminal copyright infringement in federal court in Detroit, admitting his role in a scheme that put music from the rapper's private studio into the hands of online buyers.

He faces up to five years in prison.

The guilty plea follows an FBI investigation that began in January 2025, when employees at Eminem's recording studio in Ferndale, Michigan, discovered unreleased songs circulating online.

Strange had worked for Eminem, whose legal name is Marshall Mathers, from approximately 2007 to 2021. His responsibilities included helping establish and operate the computer system used to store music in various stages of development.

That work gave him access to password-protected hard drives containing recordings that had never been cleared for public release.
EMINEM MUSIC LEAK | FEDERAL CASE
$50,000
Approximate sales
10+
Files copied and sold
8M+
Recorded accesses
$750K+
Estimated infringement amount
Sources: Justice Department and FBI criminal complaint. The infringement estimate is not the seller's profit or a court-ordered damages award.
According to the Justice Department, Strange copied at least 10 audio files without authorization and sold them to buyers over the internet during July and August 2024. The transactions totaled approximately $50,000.

The scope of the leak became clearer when FBI agents began tracing the music back to its source.

A criminal complaint filed in March 2025 described how investigators identified buyers, reviewed online conversations and followed Bitcoin payments connected to the sales.

One buyer, using the name Doja Rat, told investigators that a group of Eminem fans pooled money to purchase unreleased recordings from Strange. The buyer said the group acquired approximately 25 songs for about $50,000.

By the time the case became public, more than 25 recordings originally created between 1999 and 2018 had surfaced online without authorization, according to the FBI complaint.

Agents searching Strange's home in January 2025 recovered hard drives containing unreleased music and handwritten lyric sheets attributed to Eminem, the complaint said.

The leaked recordings were not necessarily songs Eminem intended to release.

Some remained works in progress, while others had undergone professional preparation, including studio mastering. Prosecutors said no commercial release was necessarily imminent or certain.

When the music first surfaced in January 2025, Eminem's longtime spokesperson, Dennis Dennehy, described the recordings to XXL as "demos, experiments and ideas" never intended for public consumption.

The exposure was considerable.

Streaming data cited by the Justice Department showed that the infringing audio files had been accessed more than 8 million times as of November 2025.

Prosecutors estimated the infringement amount at no less than $750,000. That figure is an estimated valuation of the infringement, not the amount Strange received from the sales or a court-ordered damages award.

Assistant Attorney General A. Tysen Duva said Strange had abused a position of trust, profiting from recordings their creator had not authorized for release.

Strange's attorney, Wade Fink, offered a different perspective on the circumstances surrounding his client's conduct.

"It is a far more complicated and nuanced matter than a man just unabashedly stealing," Fink told Reuters on Thursday.
Strange is scheduled to be sentenced Jan. 27, 2027. The judge will determine his punishment after considering federal sentencing guidelines and other applicable factors.

Wednesday, October 21, 2026

Las Vegas Honors the R&B Group That Took Its Area Code Worldwide

LeMisha Fields and Kameelah Meelah Williams of R&B group 702
LeMisha Fields and Kameelah “Meelah” Williams of R&B group 702 are celebrating the 30th anniversary of their debut album, “No Doubt,” with a hometown honor and weekend performances in Las Vegas. (Photo courtesy of Troutman Music Group)
Thirty years after taking their hometown's area code to the R&B charts, the women of 702 are coming home to a welcome only Las Vegas could give them. Thirty years after taking their hometown's area code to the R&B charts, the women of 702 are coming home to a welcome only Las Vegas could give them.

The group behind “Steelo,” “Get It Together” and “Where My Girls At?” will be honored Thursday at the iconic Welcome to Fabulous Las Vegas sign, where Clark County officials plan to recognize three decades of music that helped bring the city's R&B talent to an international audience.

Commissioner William McCurdy II is scheduled to present a proclamation to Kameelah “Meelah” Williams and LeMisha Fields during the 5 p.m. ceremony. The county also plans to pay tribute to Irish Grinstead, Fields' younger sister and longtime bandmate, who died in September 2023 at age 43.

The landmark sign will be illuminated in the group's honor.

It's a fitting tribute to an act whose name has always been a declaration of where it came from.

702 released its debut album, “No Doubt,” on Oct. 8, 1996, through Motown and Biv 10 Records. The album went gold, pairing R&B harmonies with hip-hop production and contributions from a young Missy Elliott.
702 performs “Steelo,” featuring Missy Elliott, from the group's 1996 debut album, “No Doubt.” (702 Official/YouTube)
Elliott wrote and appeared on “Steelo,” which sampled the Police's “Voices Inside My Head.” The album also produced “Get It Together,” a Donell Jones-penned ballad that reached No. 10 on the Billboard Hot 100.

The singers were still teenagers when they recorded much of that music, balancing schoolwork in Las Vegas with studio sessions in Los Angeles.

In an interview published Tuesday by Las Vegas Weekly, Fields recalled leaving school, flying to California to record and returning home in time for classes. While one member was in the recording booth, the others did homework. Some sessions stretched into the early morning hours.

The demanding schedule produced music that would long outlast the teenage experiences behind it.

In 1999, 702 scored its biggest crossover hit with the Elliott-written “Where My Girls At?,” which climbed to No. 4 on the Hot 100. The song helped propel the group's self-titled second album to platinum status and became a fixture of an era when female R&B groups were among popular music's dominant voices.

For Williams and Fields, the songs have taken on different meanings with age.
702 performs “Get It Together,” a single from its debut album, “No Doubt.” (702 Official/YouTube)
Williams told Las Vegas Weekly that motherhood, relationships and heartbreak have given the material a depth she could not fully appreciate as a teenager. Songs that once described emotions she was just beginning to understand now reflect experiences she has lived.

But the anniversary also brings an absence that cannot be overlooked.

Irish's death left the surviving performers to navigate the stage without a voice that helped define 702's sound. Fields said continuing to perform is part of honoring her sister, not leaving her behind.

“She would want us to continue and live out the legacy of 702,” Fields told the publication.

The homecoming extends beyond Thursday's ceremony.

702 is scheduled to perform Friday at On the Record inside Park MGM, followed by a '90s-themed skate party Saturday at Skate Rock City. Motown also has released a limited-edition 30th-anniversary vinyl pressing of “No Doubt,” including three additional mixes.

The festivities offer a chance to celebrate a group whose music has followed its fans from their teenage years into adulthood, even as the women behind those songs have endured changes of their own.

Three decades after turning a telephone prefix into a musical identity, 702 is returning to the place where it all began.

ThIs time, Las Vegas is welcoming them home — and honoring the sister who won't be there to celebrate.

Tuesday, October 20, 2026

From NFL Critic to Halftime Kingmaker, Jay-Z May Finally Take the Super Bowl Stage

Jay-Z at the New York state Capitol in Albany in May 2025
Jay-Z visits the New York state Capitol in Albany, N.Y., on May 19, 2025. The rapper reportedly is expected to headline the 2027 Super Bowl halftime show. (Photo: New York Senate Media Services/CC BY 2.0; cropped)

Jay-Z once told the NFL he didn't need its biggest stage. Seven years after going into business with the league, he reportedly is preparing to headline it himself.

The Brooklyn rapper and Roc Nation founder is expected to perform at the 2027 Super Bowl halftime show, according to Puck, a subscription-based publication specializing in insider reporting on entertainment, media and business. The outlet reported Tuesday that Jay-Z selected himself for the performance.

Deadline separately reported that a music industry source confirmed Jay-Z would headline. Neither the NFL nor Roc Nation has officially announced a performer.

ORIGINAL REPORTING | PUCK
Jay-Z Picks Jay-Z for Super Bowl LXI

Dave Brooks reports that multiple sources say Jay-Z has selected himself for the 2027 halftime show.

Source: Puck | Oct. 20, 2026

If confirmed, the booking would complete a remarkable reversal for an artist who rejected the Super Bowl before becoming one of the most influential figures behind its halftime entertainment.

In 2018, Jay-Z addressed his decision on “APESHIT,” his collaboration with BeyoncĂ©: “I said no to the Super Bowl. You need me, I don't need you.”

The refusal came during a period of growing controversy over the NFL's treatment of players protesting racial injustice, led by former San Francisco 49ers quarterback Colin Kaepernick. Jay-Z later described objections to the league's proposed performance conditions as another reason he declined.

By August 2019, however, Jay-Z was sitting beside NFL Commissioner Roger Goodell, announcing a partnership that would give Roc Nation a role in shaping the league's major entertainment events, including the Super Bowl.

FROM THE ARCHIVES | NFL
Jay-Z's Roc Nation enters partnership with NFL

The league's 2019 announcement describes Roc Nation's role in advising on major performances and supporting social justice initiatives.

Source: NFL | August 2019

The agreement also included work with Inspire Change, the NFL's social justice initiative.

The partnership drew immediate criticism from those who questioned why Jay-Z would work with the league while Kaepernick remained unsigned.

Jay-Z defended the arrangement as an opportunity to pursue change through the NFL's platform.

He also made clear that the negotiations had not begun with a desire to perform.

“First thing I said to Roger was, ‘If this is about me performing at the Super Bowl, then we can just end this conversation now,’” Jay-Z said at the 2019 announcement.

Instead, the agreement put Roc Nation in a position to help shape who would take the stage.

The company has since helped produce a succession of halftime shows featuring hip-hop and R&B stars, including Dr. Dre, Snoop Dogg, Mary J. Blige, Rihanna, Usher and Kendrick Lamar.

Those performances reflected a significant change for a genre that had spent decades fighting for mainstream recognition even as it became one of popular music's dominant forces.

Jay-Z remained behind the scenes.

According to Puck, that could change Feb. 14, when Super Bowl LXI takes place at SoFi Stadium in Inglewood, California.

The publication reported that Miley Cyrus and Justin Bieber also were considered for the performance. Representatives for the NFL and Roc Nation did not respond to its requests for comment.

The timing adds another layer to the story.

Jay-Z is scheduled to perform Friday and Saturday at SoFi Stadium as part of a yearlong celebration marking the 30th anniversary of his 1996 debut, “Reasonable Doubt,” and the 25th anniversary of “The Blueprint.”

The venue will host the Super Bowl less than four months later.

Puck's report also raises a question about the unusual relationship between the artist and the event he may headline.

Roc Nation's original agreement called for the company to advise the NFL on performer selection. Although Puck described Jay-Z as the principal decision-maker, the league's final approval process has not been publicly detailed.

For Jay-Z, 56, a halftime appearance would bring together several chapters of a career that has taken him from Brooklyn's rap scene to the highest levels of the entertainment business.

It would also return him to a stage he once said he could do without.

This time, he would arrive not just as a performer, but as someone who helped reshape the show.

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