Grassroots Campaign Aims to Fund Sun Ra Arkestra’s Return to Jazz Pioneer’s Hometown

Sun Ra appears in a 1973 publicity photo for Impulse/ABC Dunhill Records. A grassroots GoFundMe campaign aims to bring the Sun Ra Arkestra to his hometown of Birmingham for a four-day celebration of what would be his 111th birthday.

A grassroots GoFundMe campaign has raised more than $22,000 (as of press time) toward a $31,000 goal to bring the Sun Ra Arkestra to Birmingham for a four-day celebration of the bandleader’s 111th birthday. All proceeds will cover travel, lodging and production costs, with concert ticket revenue supporting local venues and youth jazz programs.

Herman “Sonny” Poole Blount, better known as Sun Ra, was born in Birmingham on May 22, 1914, and died there on May 30, 1993. A pioneering composer, bandleader and Afrofuturist philosopher, he fused big-band swing with synthesizers and cosmic theatrics to forge a sound that inspired generations. Over a 50-year career and nearly 200 albums, he composed more than 1,000 pieces, pioneering free improvisation, modal jazz and early electronic keyboards. His theatrical live shows — complete with elaborate costumes, dancers and spoken-word manifestos — helped lay the foundation for Afrofuturism and influenced artists from Parliament-Funkadelic to Janelle Monáe.

 

Since Ra’s passing, saxophonist Marshall Allen has led the Arkestra, preserving Ra’s “discipline” and expansive vision on stages worldwide. Allen, who turned 100 last year, remains at the helm of a band that has sold out shows from European jazz festivals to Tokyo’s Shinjuku Pit Inn.

The campaign, “Celebrate Sun Ra’s Legacy in Birmingham,” brings together the Alabama Jazz Hall of Fame, Sidewalk Cinema, Saturn Records, Seasick Records, Southern Music Research Center and East Village Arts. Two headline concerts — May 22 at Carver Theatre and May 23 at The Nick — anchor a slate of film screenings, art exhibits, panel discussions and youth workshops. Proceeds from the May 22 concert will benefit the Hall’s Saturday Jazz Greats initiative.

“This is our chance to honor Sun Ra where it all began,” said organizer Lee Shook. “Fans from Chicago to Tokyo to Johannesburg can join us in spirit — and help launch Birmingham’s first official Sun Ra Day.”

Tentative Event schedule (May 21–24)

• May 21: Screening of Space Is the Place at Sidewalk Cinema; House of Found Objects after-party

• May 22 (Sun Ra’s birthday): Seasick Records in-store signing at noon; workshop TBA; Arkestra concert at Carver Theatre; late-night set at Saturn Records

• May 23: “An Evening with the Sun Ra Arkestra” at The Nick, site of their famed 1988 show

• May 24: Craig Legg’s “Ark in Town” exhibit at East Village Arts; Moon Stew potluck and DJ sets by Rahdu, Suaze and The Audiovore

Full schedule and donation info at gofundme.com/f/4sc93-celebrate-sun-ras-legacy-in-birmingham.

2025 AMAs: Kendrick Lamar Tops Nominees, Beyoncé Lands Country Album Nod

Kendrick Lamar, seen in a promotional image for “GNX,” leads the 2025 American Music Awards with 10 nominations — a showing that could make him the most-awarded hip-hop artist in AMA history.

Kendrick Lamar tops this year’s American Music Awards with 10 nominations, including Artist of the Year; Album of the Year for "GNX"; Song of the Year for "Not Like Us"; Collaboration of the Year; Favorite Music Video; Favorite Male Hip-Hop Artist; Favorite Hip-Hop Album; and three entries in Favorite Hip-Hop Song ("Like That," "Not Like Us" and "Luther").

He landed three of the five slots in Favorite Hip-Hop Song, underscoring his dominance on the charts and in culture.

Black women make a major showing across genres. SZA joins Lamar on multiple fronts — Artist of the Year; Collaboration of the Year ("Luther"); and Favorite Female R&B Artist — while rising star Doechii vies for Social Song of the Year ("Anxiety") alongside fellow breakout Lola Young. In Favorite Female Hip-Hop Artist, the field is a who’s-who of today’s voices: Doechii, GloRilla, Latto, Megan Thee Stallion and Sexyy Red.

R&B also reflects the strength of urban voices. SZA’s "SOS Deluxe" and The Weeknd’s "Hurry Up Tomorrow" go head-to-head for Favorite R&B Album, while Kehlani, Muni Long and Summer Walker join SZA in the Favorite Female R&B Artist race. Usher, Chris Brown and Bryson Tiller lead the men’s side in Favorite Male R&B Artist.

On the country front, Beyoncé’s "Cowboy Carter" makes history with a nod for Favorite Country Album against Shaboozey’s "Where I’ve Been, Isn’t Where I’m Going" — two Black artists vying in a category long dominated by white acts.

Post Malone follows Lamar with eight nominations, spanning Artist of the Year; Album of the Year for "F-1 Trillion"; Song of the Year for "I Had Some Help"; two bids in Collaboration of the Year ("I Had Some Help" with Morgan Wallen and "Fortnight" with Taylor Swift); Favorite Male Country Artist; Favorite Country Album; and Favorite Country Song.

Pop powerhouse Billie Eilish and breakout Chappell Roan each picked up seven nominations, while rock stalwarts Linkin Park and Twenty One Pilots aim to extend their reign in Favorite Rock Artist.

Jennifer Lopez returns to host the 51st AMAs live from Las Vegas on Monday, May 26, at 8 p.m. ET/5 p.m. PT on CBS, with streaming available on Paramount+.

Key Nominees by Nomination Count

• Kendrick Lamar (10): Artist of the Year; Album of the Year (GNX); Song of the Year (“Not Like Us”); Collaboration of the Year; Favorite Music Video; Favorite Male Hip-Hop Artist; Favorite Hip-Hop Album; Favorite Hip-Hop Song (×3)

• Post Malone (8): Artist of the Year; Album of the Year (F-1 Trillion); Song of the Year (“I Had Some Help”); Collaboration of the Year (×2); Favorite Male Country Artist; Favorite Country Album; Favorite Country Song

• Billie Eilish (7): Artist of the Year; Album of the Year (Hit Me Hard and Soft); Song of the Year (“Birds of a Feather”); Favorite Touring Artist; Favorite Female Pop Artist; Favorite Pop Album; Favorite Pop Song

• Chappell Roan (7): Artist of the Year; New Artist of the Year; Album of the Year; Song of the Year; Social Song of the Year; Favorite Female Pop Artist; Favorite Pop Album

• Shaboozey (7): New Artist of the Year; Song of the Year (“A Bar Song (Tipsy)”); Social Song of the Year; Favorite Music Video; Favorite Male Country Artist; Favorite Country Album; Favorite Country Song

For the full list of nominees, visit the official AMAs site by clicking here. 

Snoop Dogg’s Gospel Album ‘Altar Call’ Drops Sunday on Death Row

Album art for “Death Row Records Presents: Altar Call” features a photo of Snoop Dogg’s late mother, Beverly Tate, whose birthday coincides with the album’s Sunday release. (Courtesy Death Row Records)

Snoop Dogg will swap G‑funk for gospel this month, unveiling a 21‑track set titled “Death Row Records Presents: Altar Call,” dropping this Sunday — the day that would have marked the 74th birthday of his late mother, Beverly Tate.

The rapper announced the project in an Instagram reel, telling fans, “Good afternoon, loved ones … April 27 I’m dropping a gospel album on Death Row Records … God is good — won’t He do it? Try to block my blessing, my team undefeated.”

“Altar Call” reunites Snoop with several high‑profile collaborators. iHeartRadio lists guest spots from Jamie Foxx, Robert Glasper, Jazze Pha, Denaun Porter, Mali Music, Jane Handcock, October London and the newly formed Death Row Mass Choir, while the Bereal Family lends vocals to the lead single “Help Me Jesus,” released April 18.

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Speaking with faith‑based outlet Movieguide, the Long Beach native said the album “is a reflection of what [my mother] taught me — use my voice to spread love and heal the world.”

Fans can already pre‑add the record on Apple Music through a Death Row/Gamma landing page that displays the full 21‑song lineup.

“Altar Call” follows Snoop’s 2018 gospel debut, “Bible of Love,” which spent seven weeks at No. 1 on Billboard’s Top Gospel Albums chart and remained on the tally for 32 weeks overall. It is also his first full‑length release since he reacquired Death Row Records in 2022, turning the onetime gangsta‑rap stronghold into what he calls “the world’s most dangerous record label — now with a message.

Ye’s New Song Alleges Involvement in Childhood Sexual Encounter with Cousin

 

Ye appears in footage from the Netflix documentary “Jeen-Yuhs.” The rapper’s latest unreleased track, “Cousins,” has sparked controversy for its graphic lyrics and revelations about family trauma. (Photo via Netflix)

Kanye West, now legally known as Ye, ignited fresh controversy this week after sharing a graphic lyric about a family member in a snippet of an unreleased track titled "Cousins."

In an Instagram post that included audio from the song, Ye rapped, “I sucked my cousin’s d***,” a line that quickly set off a firestorm of online reaction. Delivered without explanation, the lyric appears amid broader themes of trauma, incarceration, and family betrayal.

The song's content is deeply personal and disturbing. In "Cousins," Ye recounts a sexual encounter with a male cousin during childhood, attributing the experience to early exposure to explicit material. He also claims that the cousin, whose name he has not disclosed, is currently serving a life sentence for murder.

Ye expanded on the track’s backstory in a post on X (formerly Twitter), writing:

“This song is called COUSINS about my cousin that's locked in jail for life for killing a pregnant lady a few years after I told him we wouldn't 'look at dirty magazines together' anymore. Perhaps in my self-centered mess I felt it was my fault that I showed him those dirty magazines when he was 6 and then we acted out what we saw.”

The lyrics describe discovering adult magazines in his mother's closet, reenacting what they saw, and a sexual relationship that reportedly lasted until Ye was 14. In the song, Ye describes the cousin as someone he once loved, but who later became estranged — and now, incarcerated.

The response was immediate and polarized. Critics and fans alike questioned Ye’s mental health and artistic judgment, while some attempted to interpret the song as a confessional or a commentary on generational trauma. Others viewed it as a calculated shock tactic.

Mental health experts have emphasized the need for sensitivity when addressing subjects involving abuse, family trauma, and childhood sexual experiences. Ye has previously spoken about living with bipolar disorder, and episodes like this have renewed public debate over the boundaries between transparency, trauma, and sensationalism in art.

The full track has not been released on streaming platforms, but the snippet remains available on Ye’s Instagram.

Shannon Sharpe Faces $50M Lawsuit From Woman Alleging Repeated Sexual Abuse

Shannon Sharpe, host of the “Club Shay Shay” podcast, is being sued for $50 million in a civil case filed by attorney Tony Buzbee, alleging multiple instances of sexual assault. (Photo via Club Shay Shay)

Hall of Fame tight end and rising media mogul Shannon Sharpe is facing serious legal trouble just days after making headlines for reportedly seeking a nine-figure podcast deal.

A civil lawsuit filed Sunday in Nevada accuses the 56-year-old of sexually assaulting a woman on multiple occasions between late 2024 and early 2025, following what her lawyers describe as a “rocky, abusive relationship.” The woman, identified only as “Jane Doe,” is seeking over $50 million in damages for claims that include sexual battery, assault, and intentional infliction of emotional distress.

According to the 13-page complaint, the two first met in 2023 at a Los Angeles gym when the plaintiff was 20. She alleges Sharpe began pursuing her aggressively, ultimately coercing her into a relationship characterized by verbal abuse and controlling behavior. One alleged incident involved Sharpe threatening to kill her after he discovered she was attempting to share her location with friends for safety, while a firearm was visible in the room.

The suit claims the first assault occurred in October 2024, after Doe attempted to cut off contact following a livestreaming incident in which Sharpe allegedly broadcast himself having sex — though the woman in the video was not the plaintiff. The complaint says Sharpe showed up uninvited at her apartment and raped her while she was “crying and sobbing.”

A second alleged incident occurred in January 2025, when Sharpe visited her under the pretense of bringing a birthday and Christmas gift but again sexually assaulted her, this time without protection despite her protests.

“Shannon Sharpe… refused to accept the answer no and raped Plaintiff, despite her sobbing and repeated screams of ‘no,’” the lawsuit states.

Attorney Tony Buzbee, known for representing more than 20 women in lawsuits against NFL quarterback Deshaun Watson, is leading the case along with Micah Nash.

“It takes a great deal of courage to stand up against those with power, fame and money,” Buzbee said in a statement. “I look forward to pressing this case in court.”

The lawsuit also accuses Sharpe of secretly filming their sexual encounters and sharing the footage without her knowledge — allegations that appear to reference Sharpe’s September 2024 Instagram Live mishap, which went viral and drew public scrutiny.

Sharpe has not publicly responded to the lawsuit as of press time. He has not been criminally charged.

The civil complaint comes at a pivotal moment in Sharpe’s media career. Just last week, Front Office Sports reported that Sharpe is negotiating a podcasting deal worth over $100 million as his contract with The Volume expires. His “Club Shay Shay” YouTube channel boasts nearly 4 million subscribers, and his January 2024 interview with comedian Katt Williams has amassed over 89 million views. Sharpe also co-hosts “Nightcap” with Chad “Ochocinco” Johnson and frequently appears on ESPN’s “First Take.”

25 Years Later, Aaliyah’s Soundtrack for 'Romeo Must Die' Still Defines a Generation

Aaliyah and Jet Li share a scene in Romeo Must Die (2000), the hip-hop-infused action film whose chart-topping soundtrack helped define a generation. (Warner Bros. Pictures)

Twenty-five years ago, the soundtrack to "Romeo Must Die" did more than just accompany a movie, it helped define an era.

Released in April 2000, the compilation captured the slick, futuristic pulse of R&B and hip-hop at the turn of the millennium. With Aaliyah as both the film’s star and the centerpiece of its soundtrack, the album became a cultural force, fusing sound and screen into one unforgettable moment in time.

The lead single, “Try Again,” didn’t just climb the charts — it rewrote them.

Produced by Timbaland, the track made history as the first song to top the Billboard Hot 100 based solely on radio airplay, without a commercial single release in the U.S. Its sci-fi beat, driven by Timbaland’s signature synth bassline, gave listeners a glimpse into the sound of the future.

The music video, directed by Wayne Isham, blended stylized futuristic visuals with clips from the film, further cementing Aaliyah’s status as an icon. It went on to earn critical acclaim, winning both Best Female Video and Best Video from a Film at the 2000 MTV Video Music Awards.

 

But “Try Again” was just the beginning.

Aaliyah delivered multiple standout moments on the "Romeo Must Die soundtrack," including the DMX-assisted “Come Back in One Piece” — a gritty, East Coast-meets-sultry-South duet that mirrored the film’s streetwise romance. The slow-burning ballad “I Don’t Wanna” and the percussive, synth-tinged “Are You Feelin’ Me?” showcased her vocal range and cool control, further elevating her role not just as a performer, but as the executive producer shaping the project’s sound and identity.

  

Behind much of the album’s sonic innovation was Timbaland, whose glitchy, polyrhythmic production ran through the tracklist like an electric current. Whether on the playful Timbaland & Magoo cut “We At It Again” or Ginuwine’s smooth and seductive “Simply Irresistible,” his fingerprints were everywhere — reshaping R&B with every stuttered vocal, off-kilter drum hit and futuristic flourish.

Beyond its star power, the "Romeo Must Die" soundtrack played like a roll call of turn-of-the-millennium hip-hop and R&B. Destiny’s Child, still riding high on the success of "The Writing’s on the Wall," brought confident swagger with “Perfect Man.” Joe added smooth soul to the mix with “Rose in a Concrete World (J Dub Remix),” while Cash Money’s B.G. injected street grit on “Rollin’ Raw.” Rounding out the roster were Mack 10, Dave Hollister, Chanté Moore, and Static Major — a lineup that captured the era’s sonic range and commercial reach.

 

More than a collection of songs, the Romeo Must Die soundtrack became a sonic time capsule — the kind of album that blared from car stereos, rocked house parties, and soundtracked late-night club sets. It was music made for motion: dancing, driving, grinding, remembering. It didn’t just complement the film — it outlived it.

Today, the soundtrack stands as a lasting tribute to Aaliyah’s artistry and vision. Her untimely death in 2001 renders every track more poignant — a reminder of what was, and what could have been. Still, the music endures, echoing across generations and playlists.

On this 25th anniversary, revisit the soundtrack that dared to lead, not follow. Press play, reflect, and remember the moment when one album captured the rhythm of an entire era.

Stream the full album here:

'No scrubs, just legends': TLC musical to debut in D.C. next summer

Cover art for TLC’s landmark 1994 album "CrazySexyCool." The Grammy-winning release inspired the upcoming stage musical of the same name, debuting in 2026 at Arena Stage in Washington, D.C.

A new musical celebrating the legacy of TLC, the trailblazing R&B trio behind hits like "Waterfalls" and "No Scrubs," is set to make its world premiere at Arena Stage’s Kreeger Theater in Washington, D.C. next summer.

Titled "CrazySexyCool – The Musical," the production will run from June 12 through August 9, 2026, and aims to bring the group’s story — equal parts electrifying and emotional — to the stage with a blend of iconic music, bold choreography, and sisterhood-driven storytelling.

Penned and directed by Kwame Kwei-Armah, a British playwright and actor best known for his work on "One Love: The Bob Marley Musical," the show traces the rise of Tionne “T-Boz” Watkins, Lisa “Left Eye” Lopes, and Rozonda “Chilli” Thomas as they navigated fame, friendship, loss and the music industry’s highest highs and deepest pitfalls. Choreography is helmed by Chloe O. Davis, whose recent credits include associate choreographer for the Broadway revival of "Gypsy" and dance captain for Alicia Keys’ "Hell’s Kitchen."

“Bringing this story to the stage is a dream come true,” Watkins said in a statement. “We have performed in a lot of different venues all over the world throughout our career, but bringing our story and music to the theater is a totally new and exciting challenge.”

“We have some of the best people in the business working on this project,” Thomas added. “Audiences will get to hear our story — mostly fact with a sprinkle of fiction — told in our own way, and of course it’s set to all your favorite hits!”

The musical takes its name from the group’s 1994 blockbuster album "CrazySexyCool," which earned diamond certification and yielded four Billboard Top 10 singles including “Creep” and “Red Light Special.” The album won two Grammy Awards: Best R&B Album and Best R&B Performance by a Duo or Group with Vocals.

With a tagline promising “No scrubs. Just legends,” the production offers a fresh lens on TLC’s cultural impact, digging into the group’s creative clashes, personal resilience, and enduring influence.

At their peak, TLC didn’t just dominate radio, they shaped an era. From bold fashion statements and genre-defying visuals to music that addressed everything from safe sex to self-worth, the trio helped define the sound and style of the '90s. They remain the best-selling American girl group of all time.

Tickets and additional casting details will be announced ahead of the production’s debut.

Charlie Wilson, Babyface, K-Ci, and El DeBarge Unite for Cross-Generational R&B Celebration

K-Ci Hailey, Charlie Wilson, Babyface, and El DeBarge (from left) are joining forces for Uncle Charlie’s R&B Cookout Tour. (Photo by Jacob Huizar)

Charlie Wilson is hitting the road this summer with a lineup that reads like an R&B Hall of Fame reunion, and a live show that feels more like a family cookout than a concert.

 
Uncle Charlie’s R&B Cookout Tour launches August 27 at the Hollywood Bowl and brings together a powerhouse ensemble: Wilson, Babyface, K-Ci Hailey, and El DeBarge, rotating across dates in more than 20 cities including New York, Houston, Atlanta, Chicago, and Detroit. Produced by Live Nation Urban and P Music Group, the tour promises a celebration of legacy, groove, and soul-fueled connection.

Wilson’s impact spans decades, from his days with The Gap Band — delivering funk staples like “Outstanding” and “Yearning for Your Love” — to solo hits like “There Goes My Baby” and “Charlie, Last Name Wilson.” Babyface, meanwhile, is both a performer and a behind-the-scenes legend, having penned and produced R&B essentials for Whitney Houston, Boyz II Men, Toni Braxton, and more.

K-Ci Hailey, one of the most recognizable voices in R&B, brings hits from Jodeci (“Come and Talk to Me,” “Forever My Lady”) and K-Ci & JoJo (“All My Life”). El DeBarge’s smooth falsetto rounds out the lineup with radio staples like “I Like It” and “Rhythm of the Night.”

Rather than lean on the past, the tour leans into the enduring relevance of Black music. The cookout theme evokes something more intimate, a gathering of generations, voices, and shared memories. “This tour is about more than great performances,” said P Music Group CEO Michael Paran. “It’s about capturing that feeling — the joy, the energy, and the nostalgia you feel when you’re surrounded by genuine love.”

“I’ve been performing for so long that my audience isn’t just made up of fans,” Wilson added. “It really has become a family.”

In select cities, fans can purchase an exclusive VIP upgrade that includes an all-you-can-eat cookout-style pre-show with comfort food, cocktails, and curated vibes. Tickets and full details are available now at unclecharliescookout.com.

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R&B Cookout Tour — 2025 Dates

Wed 8/27 – Hollywood, CA – Hollywood Bowl *
Fri 8/29 – Concord, CA – Toyota Pavilion *
Fri 9/5 – Detroit, MI – Little Caesars Arena
Sat 9/6 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
Sun 9/7 – St. Louis, MO – Hollywood Casino Amphitheatre
Thu 9/11 – Newark, NJ – Prudential Center
Fri 9/12 – Wantagh, NY – Northwell at Jones Beach Theater
Sat 9/13 – Boston, MA – Leader Bank Pavilion
Sun 9/14 – Philadelphia, PA – TD Pavilion at The Mann
Fri 9/19 – Raleigh, NC – Coastal Credit Union Music Park
Sat 9/20 – Baltimore, MD – CFG Bank Arena
Sun 9/21 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
Fri 9/26 – Houston, TX – The Cynthia Woods Mitchell Pavilion presented by Huntsman
Sat 9/27 – Oklahoma City, OK – Zoo Amphitheater
Sun 9/28 – Dallas, TX – Toyota Music Pavilion
Fri 10/3 – New Orleans, LA – Smoothie King Arena **
Sat 10/4 – Atlanta, GA – Chastain Park *
Sun 10/5 – Charlotte, NC – PNC Music Pavilion
Fri 10/10 – Birmingham, AL – Coca-Cola Amphitheater
Sat 10/11 – Brandon, MS – Brandon Amphitheater *
Sun 10/12 – Memphis, TN – FedEx Forum

*(*No El DeBarge | *No Babyface)