Beyoncé Pledges $2.5 Million for LA Fire Relief, Aiding Displaced Families

Photo courtesy of Parkwood Entertainment/BeyGOOD Foundation.

Beyoncé is stepping up to support families impacted by the devastating wildfires in Los Angeles, pledging $2.5 million through her BeyGOOD foundation. The LA Fire Relief Fund will aid those in the Altadena and Pasadena areas who have lost their homes, as well as provide resources to local churches and community centers addressing immediate needs.

“Los Angeles we stand with you,” read a statement on BeyGOOD’s Instagram page. “BeyGOOD is taking action by announcing the LA Fire Relief Fund with a donation of 2.5 million dollars.”

The wildfires have claimed at least 24 lives, with many still missing and hundreds of homes destroyed. Beyoncé’s mother, Tina Knowles, was among those affected, losing her Malibu home in the fires.

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BeyGOOD, founded by Beyoncé in 2013, focuses on economic equity and disaster relief efforts for marginalized and under-resourced communities. The foundation has previously provided aid for hurricanes, wildfires, and other crises across the globe.

Beyoncé’s donation is part of a broader wave of celebrity and organizational support:Jamie Lee Curtis and Christopher Guest: Donated $1 million to relief efforts.

• The Walt Disney Company: Contributed $15 million for fire relief and rebuilding.
• Rick Caruso: Donated $5 million to the Los Angeles Fire Department Foundation.
• Prince Harry and Meghan Markle: Delivered supplies and toys to affected families during a surprise visit.
• Miley Cyrus: Encouraged donations and mobilized support for wildfire relief organizations.

Beyoncé’s contribution highlights her ongoing commitment to using her platform for meaningful change. For more information on the LA Fire Relief Fund or to support the cause, visit beygood.org.

Brandy Announces First Memoir, Promising an Unfiltered Look at Life Beyond Fame

Photo Credit: Blair Caldwell

Grammy-winning artist and actress Brandy has announced her forthcoming memoir, set for release on October 7, 2025, through Hanover Square Press. The currently untitled book will provide an intimate look into her life, from her early days in McComb, Mississippi, to her rise as a music and television icon.

“Writing my memoir was one of the most challenging yet rewarding experiences of my life,” Brandy shared on Instagram. “I allowed myself the space to be fearless and vulnerable to reveal some of my most intimate moments. For the first time, I am sharing my story—honest, unfiltered, and not through the lens of media or critics.”

The memoir will chronicle Brandy's career milestones, including her platinum-selling debut album released at age 15, her starring role in the sitcom Moesha, and her historic portrayal of Cinderella in Disney's 1997 TV movie, where she became the first Black actress to play the iconic princess. Beyond her professional achievements, Brandy will discuss personal challenges such as struggles with body image, bullying, heartbreak, and health issues.

“This memoir is more than a book; it’s a reflection of resilience, hope, and rediscovering myself beyond the fame, the music, and the spotlight,” Brandy wrote.

She also reflects on her experiences as a young mother to her daughter, Sy’rai, and her journey toward healing and self-discovery. Brandy hopes her story will inspire readers as they navigate their own lives.

“I hope my words bring inspiration as you navigate your own journey,” she expressed.

Fans can pre-order the memoir through the link in Brandy's Instagram bio.

Sam Moore, Half of the Dynamic Sam & Dave Duo, Passes Away at Age 89

Gage Skidmore, CC BY-SA 3.0, via Wikimedia Commons

Sam Moore, the legendary soul singer who, with Dave Prater as part of the duo Sam & Dave, delivered enduring hits like "Soul Man" and "Hold On, I'm Comin'," has died at the age of 89. His death was confirmed by Stax Records and the Rock and Roll Hall of Fame.

Stax Records paid tribute to Moore in a statement on social media, saying: “We’re saddened to hear that Sam Moore, of the legendary duo Sam & Dave, passed away at age 89. Together with Dave Prater, Mr. Moore brought early success to a fledgling Stax label with hits like ‘Soul Man,’ ‘Hold On I’m Comin,’ and more.”

In Memoriam: Sam Moore - As half of the Memphis soul powerhouse Sam & Dave, 1992 Inductee Sam Moore helped bring the sounds of the Black gospel church to pop music. A cornerstone act for Stax Records, Sam & Dave are the most successful soul duo in history, 1/2 pic.twitter.com/l9nnndeg7z

— Rock & Roll Hall of Fame (@rockhall) January 11, 2025

The Rock and Roll Hall of Fame, which inducted Sam & Dave in 1992, honored Moore by saying: “Sam Moore’s voice was a force of nature, and his music with Dave Prater will forever be a cornerstone of soul music.”

Nile Rodgers, a celebrated musician and producer, also remembered Moore, stating, “Sam Moore was a pioneer who paved the way for so many of us in the music industry. His voice and presence will be deeply missed.”

Born on October 12, 1935, in Miami, Florida, Moore’s journey began in gospel music before transitioning to soul. In 1961, he teamed up with Dave Prater, and their partnership became known for its electric stage presence and dynamic vocal interplay. Their collaboration with Stax Records’ songwriters Isaac Hayes and David Porter produced hits that defined the golden age of soul music.

We’re saddened to hear that Sam Moore, of the legendary duo Sam & Dave, passed away at age 89. 🤍 Together with Dave Prater, Mr. Moore brought early success to a fledgling Stax label with hits like “Soul Man,” “Hold On I’m Comin,’” “You Don’t Know Like I Know,” and more. pic.twitter.com/URxUSMowU4

— Stax Records (@StaxRecords) January 11, 2025

"Soul Man," released in 1967, became their signature track and a cultural anthem, earning a Grammy Award and later induction into the Grammy Hall of Fame. The song’s legacy was revived in the late 1970s by the Blues Brothers, introducing it to a new generation.

While Sam & Dave’s professional relationship was tumultuous, Moore’s influence remained unwavering. Following the group’s final split in 1981, he embarked on a solo career and collaborated with artists such as Bruce Springsteen. In 2006, Moore released the album Overnight Sensational, which featured contributions from artists like Sting and Billy Preston.

RIP to a great Soul Man and a great friend, Sam Moore!

Condolences to his fam and friends who are many.❤️❤️❤️❤️❤️❤️❤️#sammoore #samanddave #friend #royalty #king #musicislife #magical #randb #musician #supporter #humantarian #1m #essence #heart #heartbroken #hero #realdeal pic.twitter.com/1XjX0dviJX

— Nile Rodgers (@nilerodgers) January 11, 2025

Moore’s later life was marked by advocacy for artists’ rights and triumphs over personal struggles, including substance abuse in the 1970s and 1980s. With support from his wife, Joyce, whom he married in 1982, Moore achieved sobriety and became a voice for musicians navigating the industry’s challenges.

Moore’s passing is being mourned across the music world, with fans and peers celebrating the legacy of a true soul pioneer. He is survived by his wife, Joyce, his daughter, and two grandchildren.

Lil Baby’s ‘My Turn’ Named Top Rap Album of the 21st Century, Outranks Kanye and Kendrick

Lil Baby’s 2020 album “My Turn” has been ranked the highest rap project on Billboard’s “Top Billboard 200 Albums of the 21st Century” list, landing at No. 8 overall. The placement has ignited a heated debate among music fans and critics online.

Billboard’s ranking evaluates albums based on performance on the Billboard 200 charts from Jan. 1, 2000, through Dec. 28, 2024. “My Turn,” released on Feb. 28, 2020, debuted at No. 1 on the Billboard 200 with 197,000 album-equivalent units in its first week, marking Lil Baby’s first chart-topping album.

The album, featuring collaborations with Gunna, 42 Dugg, Future, Lil Uzi Vert, and Lil Wayne, achieved remarkable longevity. It spent 85 weeks in the top 10 of the Top R&B/Hip-Hop Albums chart, setting a record for the longest streak in the chart’s history.

Despite these achievements, the album’s high placement on Billboard’s list has drawn criticism. Many fans argue that other iconic rap albums, including those from Kanye West, Jay-Z, and Kendrick Lamar, were unfairly overlooked.

“No exaggeration, but this is one of the worst ranking selections I’ve seen in a long time. The same century that gave us Kanye, Lil Wayne, Drake, Eminem, Kendrick Lamar, 50 Cent and so on. Yet they select Lil Baby’s ‘My Turn’ as the biggest rap album of that century? Whoever chose that has minimal hip-hop knowledge,” one user wrote on X, formerly Twitter.

Another added, “Kanye and Jay-Z didn’t make the list. We say it a lot, but this really might be the worst list ever put together. Beyoncé didn’t make it either.”

Billboard has not publicly clarified the specific criteria used for the rankings beyond chart performance. The controversy underscores the subjective nature of music rankings and the passionate discourse they often spark among fans.

Lil Baby, born Dominique Jones in Atlanta, has been a dominant force in rap since his breakout mixtape in 2017. Known for his distinctive flow and storytelling, he has collaborated with top-tier artists and earned multiple accolades, cementing his status as one of the genre’s biggest stars.

As the debate continues, “My Turn” remains a testament to Lil Baby’s impact on modern music, representing his ascent to rap superstardom in the 21st century.

Jay-Z Seeks Sanctions Against Attorney in Sexual Assault Lawsuit Over Alleged Misconduct

Photograph by Mason Poole. Courtesy of Tiffany & Co.

Shawn “Jay-Z” Carter has filed a motion to dismiss a lawsuit accusing him of sexual assault, calling the allegations "false and defamatory" and seeking sanctions against the plaintiff's attorney, Tony Buzbee, for purported ethical violations.

In the motion submitted Monday in the U.S. District Court for the Southern District of New York, Carter’s legal team argued that the lawsuit, filed by an anonymous Jane Doe, is riddled with inconsistencies and lacks evidentiary support. The filing asserts that Buzbee failed to conduct basic due diligence, including verifying key elements of the plaintiff’s claims, before filing the complaint.

“The allegations in this case strain the outer bounds of credulity and demonstrate a failure to meet the basic ethical obligations required of any attorney,” Alex Spiro, Jay-Z's attorney, wrote in the filing. “This lawsuit is not only baseless but also deeply damaging to Mr. Carter’s reputation and family.”

The complaint alleges that Jane Doe was assaulted at a 2000 afterparty hosted by music mogul Sean "Diddy" Combs following the MTV Video Music Awards. Doe claimed Carter and an unnamed female celebrity were involved. However, Carter’s legal team pointed to photographic and video evidence showing that he was at a nightclub on the night in question, not the private residence described in the lawsuit.

The motion further notes discrepancies in Doe’s account, including her claim that she spoke to a musician at the party who, records show, was performing in another state that evening. Additionally, Doe’s father, identified as a key witness in the lawsuit, reportedly told NBC News he had no recollection of driving her from New York City back to their home in Rochester, a critical detail in her narrative.

The motion also criticized Buzbee for allegedly using the case to generate publicity, including setting up a hotline soliciting potential plaintiffs against Combs shortly after Combs was indicted on unrelated charges in September 2024. Carter’s lawyers allege that the lawsuit is part of a broader pattern of rushed filings and unsubstantiated claims.

Buzbee has not withdrawn the complaint despite public reporting undermining its allegations, the motion states. Carter's attorneys are seeking monetary sanctions against Buzbee and a dismissal of the case with prejudice.

Buzbee has not responded to requests for comment. In prior statements, he defended his handling of the case and said his firm is continuing to investigate the claims.

The court has not yet ruled on the motion.

Keefe D Seeks Dismissal in Tupac Shakur Case, Alleging Prosecution Missteps

Duane “Keefe D” Davis, the former gang leader facing charges in the 1996 killing of Tupac Shakur, has filed a motion to dismiss the case, citing constitutional violations and a lack of evidence.

The motion, filed Monday by attorney Carl Arnold, argues that the 27-year delay in prosecution undermines Davis’ ability to mount a fair defense. Arnold contends the delay resulted in missing witnesses, untraceable evidence, and failure to produce the gun or vehicle used in the shooting.

Additionally, the filing claims Davis received immunity in exchange for cooperating with federal and local authorities in prior investigations.

“The prosecution’s failure to honor immunity agreements and justify this decades-long delay undermines the integrity of the criminal justice system,” Arnold said in the filing.

Davis, arrested in September 2023 near Las Vegas, pleaded not guilty to first-degree murder. Prosecutors allege he orchestrated the fatal shooting of Shakur and the wounding of rap mogul Marion “Suge” Knight after a brawl at a Las Vegas casino involving Davis’ nephew, Orlando “Baby Lane” Anderson.

Shakur died a week later at 25. Knight survived, but Anderson, who denied involvement, was killed in 1998.

Clark County District Attorney Steve Wolfson has maintained the evidence against Davis is strong, citing Davis’ own admissions in interviews and his 2019 memoir. Wolfson did not immediately respond to requests for comment.

A judge is expected to consider the motion in the coming weeks.

For more details, the full motion can be accessed here.

Drake Leads U.S. Sales for 10th Year as Kendrick Lamar’s Diss Tracks Dominate

Drake isn’t stepping down from the throne anytime soon. For the 10th consecutive year, he’s the best-selling rapper in the U.S., moving more than eight million album-equivalent units in 2024, according to Chart Data.

But Kendrick Lamar has ensured the numbers aren’t the whole story. The two hip-hop titans spent much of 2024 locked in a heated lyrical exchange that captivated the industry, sparked fan debates, and had the culture glued to every bar.

.@Drake was the best selling rapper by total album units in the US in 2024 with over 8 million sold. pic.twitter.com/5V6soQS10e

— chart data (@chartdata) January 5, 2025

It ignited with Lamar’s verse on “Like That” with Future and Metro Boomin, a direct shot that set social media ablaze and left fans eagerly awaiting Drake’s response. The Toronto rapper fired back with tracks like “Push Ups” and “Taylor Made Freestyle,” blending slick wordplay with subtle digs aimed squarely at Lamar.

Lamar’s counterpunch, “Not Like Us,” wasn’t just a response — it was a statement. The track debuted at No. 1 on the Billboard Hot 100, marking one of the year’s biggest releases and landing on Pitchfork's list of the 100 best songs of 2024. The song's sharp lyricism and infectious beat transformed it into an anthem, with many crowning it the defining moment of the feud.

Drake is the most streamed artist in Spotify history.

He enters January, 2025 with 107,209,899,444 streams.

Among those:
• 73,722,931,130 are lead credit
• 40,581,375,812 are solo
• 33,486,968,314 as a feature

Drake is currently gaining 37,683,091 streams daily. pic.twitter.com/V60PlfTFcE

— Drake Charts ⁶𓅓 (@DrakeChart) January 2, 2025

As the battle escalated, Drake dropped “Fighting Irish Freestyle,” packed with cryptic basketball metaphors and layered subliminals. Fans and critics dissected each line, turning Twitter timelines and Reddit threads into virtual war rooms, debating who held the upper hand.

The feud hasn’t just dominated the charts — it’s reshaped the narrative around both artists. For Drake, the commercial crown remains firmly in place. But for Lamar, the victory lies in the art. His pen has once again proven to be one of the sharpest in the game, challenging Drake’s dominance with raw lyricism and cultural impact.

Billboard predict that Kendrick Lamar's 'Not Like Us' will win "Record of The Year" at the upcoming 2025 GRAMMY awards 🔥🏆

It would be only the second hip hop song ever to win the category. pic.twitter.com/8Jf8r6Rxpj

— Hip Hop All Day (@HipHopAllDayy) January 6, 2025

As 2025 begins, the rivalry shows no signs of cooling. One thing is certain — Drake may own the charts, but Lamar’s words are cutting deeper than ever.

Legendary Soul Artist Brenton Wood Dies at 83

Brenton Wood, best known for his 1967 hit "The Oogum Boogum Song," has died at the age of 83, his manager Manny Gallegos confirmed Friday to multiple media outlets. Wood passed away at his home in Moreno Valley, California, surrounded by friends and family. The cause of death has not been disclosed.

Born Alfred Jesse Smith in Shreveport, Louisiana, Wood moved with his family to San Pedro, California, and later to Compton, where he excelled as a member of the Compton High School track team, earning several athletic awards. He began his music career at East Los Angeles College, adopting the stage name Brenton Wood as a nod to his hometown.

Brenton Wood wrote The Oogum Boogum song because he desperately needed a hit.

The meaning of the song was another way to say Abracadabra to those he believed were against him.

Rest in Power So Cal legend. pic.twitter.com/eg0R8U2WKt

— Danny Deraney (@DannyDeraney) January 3, 2025

Inspired by artists such as Jesse Belvin and Sam Cooke, Wood honed his songwriting skills and became a proficient pianist. His early singles with Brent Records and Wand Records did not achieve commercial success, but his breakthrough came with the novelty song "The Oogum Boogum Song," which reached No. 19 on the US Billboard R&B chart and No. 34 on the Billboard Hot 100 in spring 1967. The song sold over one million copies and was awarded a gold disc.

Wood's subsequent single, "Gimme Little Sign," climbed to No. 9 on the pop chart, No. 19 on the R&B chart, No. 2 on KHJ, and No. 8 in the UK Singles Chart. His follow-up hit, "Baby You Got It," peaked at No. 34 on the Hot 100 during the last week of 1967.

Throughout the late 1960s and 1970s, Wood continued to release music, forming his own label, Prophesy Records, in 1972. Under the label, he released and co-produced tracks such as "Sticky Boom Boom [Too Cold] Part I and II." His backing band during this period was Kent And The Candidates, led by famed drummer Kent Sprague.

Over his career, Wood released nine studio albums and worked with notable collaborators, including George Semper and Al McKay of Earth, Wind & Fire. In recent years, his music found renewed popularity through placements in television shows and films. "The Oogum Boogum Song" was featured in "The Umbrella Academy," "Almost Famous," and "Don't Worry Darling," while "Great Big Bundle of Love" appeared in the second season of "Big Little Lies."

Earlier this year, Wood launched his farewell tour, "Catch You on the Rebound: The Last Tour," but it was paused in May 2024 after he was hospitalized.