Grammy Winner D’Angelo Dies at 51 After Private Battle With Cancer

D’Angelo, shown here in a promotional image for his 2000 album “Voodoo,” was one of the defining voices of modern soul. The Grammy-winning singer and multi-instrumentalist died at 51 after a private battle with pancreatic cancer, his family confirmed on Tuesday. (Photo: RCA Records)

The music world is in mourning: D’Angelo, the elusive and influential neo-soul pioneer whose voice defined a generation of R&B, has died at 51 after a private battle with pancreatic cancer his family and multiple media outlets confirmed on Tuesday. Reports indicate he passed away over the weekend.

Born Michael Eugene Archer in Richmond, Virginia, D’Angelo was among the architects of the modern soul revival that fused gospel roots, hip-hop sensibility, and jazz freedom. 

His debut album, “Brown Sugar,” in 1995 announced a new kind of groove — live instrumentation wrapped around lyrics that were sensual, spiritual and raw. 

The follow-up, “Voodoo,” in 2000 elevated him to icon status and earned two Grammys. Fourteen years later, his surprise return with “Black Messiah” turned reflection into revolution.

In recent years, D’Angelo had stepped out of the spotlight again. In May, he canceled a headlining slot at the Roots Picnic, citing complications from surgery. “I’m not 100 percent yet, but I’m working my way there,” a representative said at the time.

Tributes began flooding social media from peers and admirers who saw him as both innovator and spiritual force.

“Such a sad loss to the passing of D’Angelo. We have so many great times. Gonna miss you so much. Sleep peacefully D’ — Love you KING,” wrote DJ Premier on X, formerly Twitter.

“My sources tell me that D’Angelo has passed. Wow. I have no words. May he rest in perfect peace,” journalist Marc Lamont Hill posted.

Producer Alchemist added simply: “Man. Rest in peace D’Angelo.”

Fans filled his Instagram comments with heartbreak emojis and lyrics from “Untitled (How Does It Feel),” the 2000 single whose slow burn redefined intimacy on record and screen. The Rock & Roll Hall of Fame called him “a singular voice who bridged past and future — the sound of vulnerability made holy.”

Through just three studio albums, D’Angelo reshaped the sound of R&B. With Questlove, Erykah Badu, Common and J Dilla, he helped create the Soulquarians collective that blurred lines between genres and generations.

D’Angelo is survived by his two children, Michael Jr. and Imani Archer. He was previously in a longtime relationship with singer Angie Stone, who collaborated with him early in his career and shared his deep gospel and soul roots. 

Their creative and romantic partnership helped shape the direction of his first album, “Brown Sugar.” Stone died in March at 63, a loss that friends said deeply affected him.

Flamingos Great Terry Johnson, Who Bridged Doo-Wop and Motown, Dead at 86

Terry Johnson, tenor, guitarist, and arranger for the Rock & Roll Hall of Fame vocal group The Flamingos, performs in an undated photo. Johnson, who co-arranged and sang on the group’s 1959 classic “I Only Have Eyes for You” and later worked as a Motown producer, died this week at 86. (Courtesy photo)

Terry Johnson, the silky-voiced tenor, guitarist, and arranger who helped define doo-wop’s celestial sound with The Flamingos’ “I Only Have Eyes for You,” has died. He was 86.

The Rock & Roll Hall of Fame confirmed Johnson’s passing Friday, calling him “one of the architects of sophisticated vocal harmony” and a guiding force behind one of the genre’s most influential groups. Johnson, who joined The Flamingos in 1958, arranged and co-sang on “I Only Have Eyes for You,” the 1959 ballad whose shimmering harmonies and echoing “shoo-bop shoo-bops” remain one of pop’s most enduring sonic signatures.

(1/3) In Memoriam: Doo-wop legends the Flamingos, including 2001 Inductee Terry Johnson, took listeners higher with their sublime harmonies and impeccable arrangements. With Johnson joining as tenor/lead vocalist, guitarist, and arranger in 1958, The Flamingos... pic.twitter.com/UgF15LWdV6

— Rock & Roll Hall of Fame (@rockhall) October 10, 2025

“Crafted a sophisticated sound like no other vocal group,” the Rock Hall said in its remembrance on X (formerly Twitter). “Their rendition of ‘I Only Have Eyes for You’ remains an irresistible expression of yearning.”

 

In a 2001 Rock Hall ceremony speech inducting The Flamingos, Johnson described the group’s magic as “extraordinary harmonies combined with a love of the classics and a touch of dynamic stage presence.” Their album Flamingo Serenade, he told the crowd, was “without a doubt a masterpiece” — a testament that still rings true decades later.

After The Flamingos’ peak, Johnson carried his musical touch to Motown Records. Smokey Robinson recruited him as a songwriter and producer in the 1960s, where he contributed to sessions for The Temptations, The Four Tops and The Supremes. His behind-the-scenes work helped shape the seamless, orchestral polish that came to define Motown’s golden era.

Fellow performer Kathy Young shared a tribute Friday, writing, “I am so very sad upon hearing of the passing of Terry Johnson. He and I worked together so many times and always had fun. My deepest sympathies and prayers to Theresa, his family and The Flamingos. RIP Terry.”

The Flamingos, formed in Chicago’s Bronzeville neighborhood in the early 1950s, embodied the elegance of the doo-wop era — their tuxedoed performances and symphonic vocals bridging gospel discipline with pop sensuality. Johnson’s tenure brought a new level of polish and musical sophistication, blending jazz chords, romantic lyricism, and lush production that influenced generations of R&B and soul artists.

“Their innovative recordings made a major contribution to our industry,” Johnson said during his Hall of Fame induction. “They rightfully deserve to be enshrined.”

Atlanta Rapper T-Hood Killed in Georgia Shooting at 33

Rapper T-Hood  was killed in Snellville, Georgia, after a domestic dispute outside his home.

Southern hip-hop is in mourning. Tevin Hood — better known as T-Hood — was shot and killed Friday at a residence in Snellville, Georgia, according to Gwinnett County police. He was 33.

Officers were dispatched around 7 p.m. to the 3900 block of Lee Road following reports of a dispute at the home. First responders found Hood with gunshot wounds, rendered aid, and transported him to a hospital, where he died from his injuries. One individual was detained at the scene and is currently being interviewed; the shooting is being investigated as a homicide. Authorities emphasized there is no active threat to the public.

RIP T HOOD 💔 one of the first people to hop on me and @Deedotwill vivid trap beats.

he was literally the only person to hop on this melody i did from scratch. I ain’t fuckin with this at all i’m ngl. pouring up for my all my niggas tonight pic.twitter.com/uVJAPPVuhJ

— glick attachment (@cashgangrott) August 9, 2025

Hood’s mother, Yulanda, confirmed his identity to local media and rejected claims of a party taking place at the time of the shooting. Family members spoke with Channel 2 Action News, validating the tragic news.

Known for his work in Southern rap, T-Hood released tracks including “Ready 2 Go,” “Perculator,” “Girls in the Party” and “Big Booty” with B.o.B. He was also named Trendsetter of the Year at the 2025 Black Only Awards.

i been all over the place trying to find a way to process the passing of my dawg. i knew t hood a while and he used to always go crazy at every stage he was on.

he really went crazy with his talent and im fortunate to have got some work in with him. one of the few artists who… pic.twitter.com/YQqzJ2Vh9X

— DJ Blak Boy (@DJBlakBoy) August 10, 2025

Just weeks prior, Hood shared an eerie Instagram video promoting his song “Grave Diggerz.” Wearing a ghost costume in a cemetery, he joked, “Come down to the cemetery. I have a spot for you… Just die today.” Fans have since called the clip chillingly prophetic amid the tragedy.

Producer Deddotwill, a frequent collaborator, expressed his grief online: “We was just on the phone all day. I can’t believe you are gone. REST IN PEACE T-HOOD, I LOVE YOU BROTHER.”

DJ Blak Boy added his personal tribute: “I knew T-Hood a while… he was a light of energy… always supported everybody… a friend I’ll miss.”

Hip-Hop Mourns Howie Tee, Sonic Force Behind Special Ed and Chubb Rock

Hitman Howie Tee, born Howard Thompson, is dead at 61. The influential producer helped launch the careers of Special Ed and Chubb Rock and co-produced hits for Color Me Badd.

Hip-hop has lost a giant.

Hitman Howie Tee — the Brooklyn-based producer, DJ and sonic architect behind pivotal records from Special Ed, Chubb Rock, The Real Roxanne and Color Me Badd — has died at 61. His death was confirmed in early August by close collaborators and friends including DJ Premier and Questlove, though the exact cause and date have not been publicly disclosed.

Born Howard Thompson in London to Jamaican parents and raised in Brooklyn’s East Flatbush neighborhood, Howie Tee carved out a legendary career by fusing breakbeats, funk, jazz, and even cartoon samples into an unmistakable sound that helped define East Coast hip-hop in the late 1980s and early 1990s.

 

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A post shared by Questlove (@questlove)

He first made his mark as a member of CDIII and later as the in-house producer for Select Records, where he shaped the signature styles of future legends. With Special Ed, he delivered “I Got It Made,” a coming-of-age anthem that turned a teenage MC into a star. With Chubb Rock, he produced classics like “Treat ’Em Right,” “Ya Bad Chubbs” and “Just the Two of Us,” blending boom-bap energy with wit and rhythm.

His sound wasn’t limited to rap. In the early ’90s, Howie Tee co-produced Color Me Badd’s No. 1 hits “I Wanna Sex You Up” and “All 4 Love,” the latter famously topping Michael Jackson’s “Black or White” on the Billboard Hot 100. His ear for crossover appeal made him one of the most versatile producers of the era, with remixes for Madonna, Heavy D, Maxi Priest and Raven-Symoné further proving his reach.

 

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Questlove remembered him as “another legend from my childhood,” calling him a “superhero superproducer” who helped hip-hop evolve by blending TV themes and pop melodies with hard drums. DJ Premier recalled long conversations with Howie Tee about music and life, crediting him for inspiring his own early production aspirations.

From Whistle’s playful “(Nothing Serious) Just Buggin’” to Special Ed’s “I’m the Magnificent” and deep cuts like Little Shawn’s “Hickeys on Your Chest,” Howie Tee’s catalog remains a masterclass in groove, grit and experimentation. He was a sonic bridge between the park jam spirit of old-school hip-hop and the polished swagger of the New Jack Swing era.

Though never one to chase the spotlight, his influence stretched far beyond the studio. He helped shape the sound of an entire generation — and gave some of hip-hop’s most beloved voices their earliest hits.

Actor-Musician Malcolm-Jamal Warner Dies at 54 in Costa Rica Drowning Accident

Malcolm-Jamal Warner performs with his band Miles Long at a live show in Atlanta in 2022. Warner, who died Sunday in Costa Rica at age 54, earned Grammy recognition for blending jazz-funk bass lines with spoken-word poetry. (Screenshot via YouTube/Miles Long Live, “Spark & Tingle” performance)

Malcolm‑Jamal Warner — Emmy‑nominated actor turned Grammy‑winning bassist and spoken‑word poet
— drowned Sunday while swimming with relatives at Playa Cocles on Costa Rica’s Caribbean coast. He was 54.

According to Costa Rica’s Judicial Investigation Department, Warner was caught in a rip current and died of accidental asphyxia. News of his death was confirmed Monday.

Born August 18, 1970, in Jersey City, New Jersey, Warner gained national attention as a teenager playing Theo Huxtable on the NBC sitcom “The Cosby Show.” His performance earned him an Emmy nomination and made him a cultural icon — but that role would become just the first act in a lifelong creative journey.

 

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A post shared by Malcolm-Jamal Warner (@malcolmjamalwar)

Off camera, Warner developed a parallel career as a musician, forming the jazz‑funk spoken‑word band Miles Long. Across multiple studio releases — including “The Miles Long Mixtape,” “Love & Other Social Issues,” “Selfless,” and “Hiding in Plain View” — Warner blended upright bass grooves with socially conscious lyrics and poetic monologues. His work drew on influences from classic soul, jazz, and hip‑hop, and earned respect across live music circles and underground poetry communities alike.

 

In 2015, Warner won a Grammy Award for best traditional R&B performance for his contribution to a reinterpretation of Stevie Wonder’s “Jesus Children of America,” recorded by Robert Glasper Experiment and featuring Lalah Hathaway. The track marked Warner’s deepening presence in music as both a collaborator and a creative voice.

“Hiding in Plain View,” released in 2022, received a Grammy nomination in 2023 for best spoken‑word poetry album. Warner’s delivery — intimate, urgent, and rooted in tradition — stood out in a crowded field and solidified his reputation as more than a former TV star.

Beyond the stage and studio, Warner remained active in television, with notable roles on “Malcolm & Eddie,” “The People v. O.J. Simpson,” “Reed Between the Lines,” and “The Resident.” He also used his platform to elevate community dialogue through the podcast “Not All Hood,” which launched in 2023 and featured conversations centered around Black identity, mental health, and creativity.

🎸 SIDEBAR: Malcolm‑Jamal Warner’s Music Legacy

Band: Miles Long
Genre: Jazz‑funk / Spoken word / Neo‑soul
Role: Bassist, bandleader, spoken‑word poet

---

🎧 Key Albums:

• “The Miles Long Mixtape” (2004)
  Warner’s first full-length musical release — a raw blend of funk basslines and lyrical poetry.
• “Love & Other Social Issues” (2007)
  A concept project tackling relationships, politics, and social justice through groove‑driven arrangements.
• “Selfless” (2015)
  Featured collaborations with Lalah Hathaway. “Spark & Tingle” became a standout track.
• “Hiding in Plain View” (2022)
  Career-defining work nominated for a 2023 Grammy for best spoken-word poetry album.

🏆 Grammy Recognition:

• Winner (2015) — Best Traditional R&B Performance
  With Robert Glasper Experiment and Lalah Hathaway on “Jesus Children of America.”
• Nominee (2023) — Best Spoken-Word Poetry Album
  For “Hiding in Plain View.”

🎙️ Live & Beyond:

• Performed at Blue Note, Playboy Jazz Festival, Indy Jazz Fest
• Collaborated with Robert Glasper, Ledisi, Lalah Hathaway
• Hosted podcast “Not All Hood” (2023), focused on Black identity & mental health

Legacy: Warner transformed a TV icon’s spotlight into a mic for truth — fusing rhythm, resistance, and reflection through every bar and bassline.

City High’s Robby Pardlo Dead; Singer Helped Propel 2001 Hit 'What Would You Do?'

Robby Pardlo — the New Jersey singer‑songwriter who co‑founded early‑2000s R&B trio City High — has died, friends confirmed Friday.

Public music bios list Pardlo’s birth year as 1977, which would make him 48 this year, though his family has not confirmed an exact date of birth.[1]

Terrill “Rellion” Paul, a longtime collaborator, announced the news in a Facebook post, calling Pardlo “one kind‑hearted person who would literally give the shirt off your back” and sharing recent photos of the two men alongside an early snapshot of the group. No cause of death has been released, and Pardlo’s family has yet to issue a formal statement.

Formed under Wyclef Jean’s Booga Basement imprint, City High — Pardlo, Claudette Ortiz and Ryan Toby — broke through in 2001 with “What Would You Do?,” an unflinching narrative about poverty and survival that reached No. 8 on the Billboard Hot 100 and earned a Grammy nomination for best R&B performance by a duo or group. The group’s gold‑certified, self‑titled debut also produced the Top 20 single “Caramel,” featuring Eve.

Behind the chart success, Pardlo wrestled with alcoholism. His struggle was chronicled in a 2010 episode of A&E’s “Intervention,” where he linked his addiction to the group’s abrupt breakup in 2003. Ortiz later alleged their teenage relationship had been abusive, telling Washington, D.C.’s Majic 102.3 in 2013 that she “had to choose safety over the group.” Pardlo did not publicly respond to those claims but credited the televised rehab program with a lengthy stretch of sobriety.

After City High dissolved, Pardlo largely retreated from the spotlight, surfacing for occasional writing sessions and small‑venue appearances. In his Facebook tribute, Paul said the two recently joked about “getting old together” and still “talking trash like Claud Banks and Ray Gibson,” the bickering cellmates from the 1999 film “Life.”

Funeral arrangements have not been announced. Paul ended his post with a promise to keep his friend’s legacy alive: “We were supposed to do life together… I will miss you so much.”

Sources
[1] Birth year appears as 1977 in AllMusic artist profile, Discogs database entry and A&M Records’ 2001 press kit; no family confirmation yet released.

Rapper Young Noble, Member of Tupac’s Outlawz, Dead at 47

Mogkilluminati, CC BY-SA 3.0, via Wikimedia Commons

Young Noble, the last artist personally added to Tupac Shakur’s iconic group Outlawz, has died by suicide. He was 47.

Born Rufus Lee Cooper III, Noble was found dead Friday morning, July 4, at his home in Atlanta. The news was confirmed by longtime friend and fellow Outlawz member E.D.I. Mean, who shared the update on Instagram with a heartfelt plea: “Mental illness is a real battle being fought by so many. CHECK ON YOUR FOLKS!”

Noble’s death was also verified by a representative speaking to PEOPLE. No additional details were released by his family.

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A post shared by E.D.iMean (@edidono4l)

A fixture in one of hip-hop’s most influential crews, Noble carried a direct line to Tupac Shakur’s vision. He joined Outlawz in early 1996, just months before Shakur was gunned down in Las Vegas. At only 18, Noble made his debut on Shakur’s posthumous classic “The Don Killuminati: The 7 Day Theory,” appearing on standout tracks like “Hail Mary,” “Bomb First (My Second Reply)” and “Just Like Daddy.”

Over the decades, Noble became a torchbearer for the Outlawz legacy, both through music and community engagement. He recorded four solo albums — "Noble Justice," "Son of God," "Powerful," and "3rd Eye View" — and co-founded Noble Justice Productions, an independent outlet through which he released his work.

Damn my dude Young Noble of The Outlawz has passed. Unfortunately he took his own life according to his Outlawz member E.D.I. Amin's post.
Everyone must respect mental illness and what someone may be going through. Check your loved ones, friends, family etc.
I'll cherish the… pic.twitter.com/prdMsNQtKj

— DJ Premier (@REALDJPREMIER) July 5, 2025

He also outlived nearly all of his Outlawz bandmates. Yaki Kadafi was killed in 1996, Hussein Fatal died in a car crash in 2015, and Napoleon left the music business entirely. Noble remained active, both on record and on social media, where he posted an uplifting message just days before his death: “You're not reading this by accident. This is your confirmation. You're going to make it. No matter what it looks like right now.”

Noble’s life was marked by struggle from the start. Born in Rancho Cucamonga, California, in 1978, he was raised under difficult circumstances. His mother battled addiction, and he never knew his father. He relocated to New Jersey as a teenager and eventually met Kadafi, Tupac’s godbrother, who helped introduce him to the rest of the Outlawz.

In 2021, Noble survived a serious heart attack. But in 2024, tragedy struck again: his mother, Ellen Ferr, was diagnosed with stage 3 cancer and died later that summer. Friends say her death deeply affected him.

The outpouring of grief from the hip-hop community was immediate. Snoop Dogg — who was labelmates with Shakur and the Outlawz during their time at Death Row Records— posted the tribute song “The Good Die Young” on Instagram, writing simply: “DAMN. Mental health is real.”

In announcing the news, E.D.I. Mean asked for privacy while hinting at the unspoken toll fame and legacy can sometimes take: “Today I got some of the worst and unexpected news imaginable. My brother and partner for over 30 years took his life this morning. Rest in Power, Rufus Young Noble Cooper.”

Outlawz Member Young Noble Calls Out Snoop Dogg For Telling A Wild Exaggerated Story About 2Pac's Interaction With Nas At Bryant Park.

(🎥 The Art Of Dialogue/YouTube) pic.twitter.com/mJtz6F52vD

— The Art Of Dialogue (@ArtOfDialogue_) December 21, 2024

Walter Scott, Velvet-Voiced Whispers Legend, Dies at 81

The Whispers pose backstage before their performance at Gardner's Basin in Atlantic City on Saturday, Aug. 24, 2013. From left: Leaveil Degree, Wallace Scott, Walter Scott and Nicholas Caldwell. Walter Scott, co-founder of the group, died Thursday at age 81.

Walter C. Scott Jr., whose buttery vocals alongside his identical twin Wallace anchored the iconic R&B group The Whispers for more than five decades, died Thursday in Northridge, Calif., after a six-month battle with cancer. He was 81 and surrounded by family.

Desirae L. Benson, a member of the Whispers' promotional team, confirmed Scott’s death in a statement to Soul Tracks:

We all are incredibly heartbroken. It is with deep sadness that we confirm the passing of Walter Scott, beloved member of the legendary R&B group The Whispers,” Benson said. “His voice, presence, and contributions helped shape a musical legacy that touched millions. Walter’s impact on the industry and in the hearts of fans will never be forgotten. 

Formed in Los Angeles in 1963, The Whispers — originally Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon — became one of the most celebrated vocal groups of their era. Their string of hits spanned decades, with “And the Beat Goes On,” “Lady,” “It’s a Love Thing,” and “Rock Steady” defining R&B radio in the 1980s.

Over their career, The Whispers earned 15 top 10 R&B singles, two R&B No. 1 albums ("The Whispers" and "Love Is Where You Find It"), and widespread acclaim for their smooth choreography and timeless harmonies.

Born in Fort Worth, Texas, in 1944, Walter Scott moved with his family to Los Angeles, where he and his brother first began performing. The group relocated briefly to San Francisco in the mid-’60s to sharpen their live act. Walter was drafted into military service in Vietnam and rejoined The Whispers in 1969. The group gained momentum in the late ’70s after signing to Dick Griffey’s Solar Records, beginning a golden era of hits that kept them on the charts and touring through the 2000s.

Harmon was replaced in 1973 by Leaveil Degree following a vocal injury. Hutson died in 2000, Caldwell in 2016, and Harmon in 2023. The Whispers were inducted into the National Rhythm & Blues Hall of Fame in 2014.

Walter Scott is survived by his wife, Jan, two sons, three grandchildren, and his brother Wallace.

Cavin Yarbrough, Half of Yarbrough & Peoples and Funk-R&B Icon, Dies at 72

Yarbrough & Peoples perform together onstage in Dallas. The R&B duo, best known for their 1980 No. 1 hit “Don’t Stop the Music,” remained active performers and community figures for decades. (Photo courtesy of Yarbrough & Peoples Productions)

Cavin Yarbrough, one-half of the iconic R&B duo Yarbrough & Peoples and the man behind the early 1980s chart-topper "Don't Stop the Music," has died. He was 72.

His wife and longtime music partner, Alisa Peoples, confirmed his death Saturday, saying it was sudden and unexpected. "He was the love of my life, my protector," she said. "Now he’s my guardian angel."

Yarbrough passed away on June 19 from complications related to heart disease, according to Peoples.

The duo became household names after their 1980 debut single "Don't Stop the Music" topped the Billboard R&B chart and helped define the era’s funk-forward sound. Their debut album, "The Two of Us," was released the same year and propelled the Dallas-born pair into national fame. "Don't Stop the Music" remains one of the defining tracks of early '80s R&B and is still widely sampled and celebrated today.

Born and raised in Dallas, Texas, Yarbrough was a classically trained pianist who first met Alisa Peoples as a child while taking piano lessons. Their shared love of music blossomed into both a personal and professional partnership. It was Gap Band frontman Charlie Wilson who introduced the duo to Lonnie Simmons, founder of Total Experience Records. The label signed Yarbrough & Peoples in the late '70s, setting the stage for their string of R&B successes.

In addition to their breakout hit, the pair recorded several other charting singles throughout the 1980s, including "Heartbeats" (No. 25, 1983), "Don’t Waste Your Time" (1984), "Be a Winner" (No. 6, 1984), "Guilty" (No. 13, 1986) and "I Wouldn’t Lie" (1986).

After leaving Total Experience in 1986, Yarbrough and Peoples married in 1987 and returned to Dallas. There, they launched their own production company, Yarbrough & Peoples Productions, and served as music directors at their church. Yarbrough also portrayed blues legend Lead Belly in the Off-Broadway musical "Blind Lemon Blues" in 2009.

Friends and fans took to social media to honor his legacy.

“So sad to learn of the passing of Cavin Yarbrough, one-half of the iconic R&B duo Yarbrough & Peoples,” longtime radio personality Donnie Simpson posted. “We will remember Cavin’s legacy through timeless hits like ‘Don’t Stop the Music.’ Sending condolences to his wife, Alisa Peoples, family, friends & fans. RIP.”

"Cavin was not only an extraordinary talent, but a kind man with a great heart," said Michele Elyzabeth, the duo’s publicist for over 40 years. "His legacy will live on in the music, in our memories, and in the hearts of everyone who knew him."

At a time when funk and romance ruled Black radio, Yarbrough & Peoples found the perfect groove. And with Cavin now gone, the beat he helped create lives on.

Legendary Funk Architect Sly Stone Dies at 82

 

Sly and the Family Stone pose for a 1968 publicity photo, with Sly Stone second from left. Photo distributed by Epic Records, Daedalus Management, and William Morris Agency, Inc. Photographer uncredited.

Sly Stone, whose genre-defying work with Sly and the Family Stone helped shape soul, funk, and rock music, died today. He was 82.

Sly Stone didn’t just make music—he made history. SLY LIVES! (aka The Burden of Black Genius) premiering January 23 at the 2025 #Sundance Film Festival. @hulu pic.twitter.com/0RVjibp8UW

— Sundance Film Festival (@sundancefest) January 22, 2025

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend and his extended family,” his family said in a statement. “While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.”

………and The Family Stone Rest In Beats SLY pic.twitter.com/sdUx9ob1Mw

— Chuck D (@MrChuckD) June 9, 2025

Born Sylvester Stewart in Denton, Texas, in 1943, Stone rose from Pentecostal gospel roots to become one of the most influential artists of the 20th century. He formed Sly and the Family Stone in 1966, blending soul, psychedelic rock, gospel and funk into a sound that was as politically pointed as it was danceable.

The group’s multicultural lineup and genre-mashing style broke boundaries both sonically and socially. Hits like “Everyday People,” “Family Affair,” “Thank You (Falettinme Be Mice Elf Agin),” “Dance to the Music” and “Hot Fun in the Summertime” became anthems of unity, joy and protest.

Their 1971 album “There’s a Riot Goin’ On” — created largely by Stone alone using early drum machine technology — remains a landmark work, widely regarded as one of the greatest albums of all time.

RIP to Sly Stone. Innovator, funk aficionado, and frontman of Sly & The Family Stone pic.twitter.com/W2DlX8GIci

— Queer Latifah 🥂 (@TheAfrocentricI) June 9, 2025

Sly and the Family Stone performed at both Woodstock and the Harlem Cultural Festival in 1969, cementing their cultural importance during a period of musical revolution. The band’s 1969 album “Stand!” sold more than 3 million copies and helped define the emerging funk genre alongside James Brown and George Clinton.

Stone’s career began in the Bay Area as a multi-instrumentalist, producer, and DJ, known for his work with garage rock and psychedelic acts. His early group, the Stewart Four, released a gospel single in 1952, but it was with the formation of the Family Stone that he found his voice as an artist and icon.

By the mid-1970s, however, Stone’s career was marked by erratic behavior, missed performances, and increasing drug use. The band fractured, and Stone released albums largely solo under the group’s name, including 1975’s “High on You” and 1982’s “Ain’t But the One Way.”

Legal troubles and financial struggles followed. In 2011, reports revealed that Stone was living in a camper van in Los Angeles. Though he claimed it was by choice, it underscored the decline of the once-radical innovator.

Still, he was never forgotten. In 2006, Stone made a surprise appearance at the Grammy Awards during a tribute performance. In 2015, he was awarded $5 million in a lawsuit over unpaid royalties — though the full amount was never realized due to contractual limitations.

His memoir, “Thank You (Falettinme Be Mice Elf Agin),” was published in 2024 to critical acclaim. A screenplay based on his life was reportedly completed shortly before his death.

Stone is survived by his children, Sylvester Jr., Sylvyette, and Novena Carmel. He was briefly married to Kathy Silva in the 1970s.

R&B Trailblazer Wayne Lewis, Co-Founder of Atlantic Starr, Dies at 68

Wayne Lewis, co-founder, vocalist and keyboardist for Atlantic Starr, is shown in an undated photo shared by the band alongside the June 6 announcement of his death. He was 68. (Courtesy Atlantic Starr/Facebook)

Wayne Lewis, the smooth-voiced keyboardist, co-founder, and creative engine behind Atlantic Starr, died. He was 68.

The band announced his passing on its official Facebook page, writing, “It’s with great sadness we have to post the passing of Wayne Lewis on June 5, 2025. Please keep the family in your prayers and respect their privacy.” The post also paid tribute to his legacy with a reference to his birth and death dates: “Sunrise 4/13/1957, Sunset 6/5/2025.”

A cause of death was not revealed.

Born in White Plains, New York, Lewis helped launch Atlantic Starr with his brothers David and Jonathan in 1976. The group, originally known as Newban, went on to become one of the most iconic R&B acts of the 1980s, fusing slick pop sensibilities with lush harmonies and soul-driven storytelling.

Atlantic Starr - “If Your Heart Isn’t In It”

A Quiet Storm staple with the late Wayne Lewis on lead with Barbara Weathers.

pic.twitter.com/ftE57VDRBK

— Wes Reynolds (@WesReynolds1) June 8, 2025

Wayne Lewis contributed vocals and keyboards to a string of Atlantic Starr’s biggest hits. Among them: “Secret Lovers,” “Circles,” “Touch a Four Leaf Clover,” “Am I Dreaming” and their 1987 chart-topping ballad “Always,” which spent weeks at No. 1 on the Billboard Hot 100 and has since become a wedding playlist staple across generations.

As one of the group's core vocalists and musical arrangers, Lewis helped shape the band’s signature sound alongside heavyweight producers like James Anthony Carmichael, known for his work with Lionel Richie and the Commodores.

Atlantic Starr released their self-titled debut album in 1978 via A&M Records. Over the years, the group evolved through multiple lineup changes, but Lewis remained a constant until recent years, helping steer the band through three decades of performances and 13 studio albums.

His final contributions appeared on the group’s 2017 album "Metamorphosis."

Wayne Lewis is survived by his family, including brothers David and Jonathan, who helped him build a sound that continues to echo across quiet storm radio and slow-jam playlists worldwide.

‘Chicago Mike,’ Who Helped Define Kool & the Gang’s Stage Energy, Killed in Georgia Crash

Michael “Chicago Mike” Sumler, longtime wardrobe stylist and hype man for Kool & the Gang, is shown in an undated photo. Sumler, who worked with the band for decades and was known for energizing crowds with his signature style and dance moves, died May 25 in a car crash in suburban Atlanta. (Facebook)

Michael “Chicago Mike” Sumler, a longtime stylist, hype man, and performer with Kool & the Gang, died
in a car crash in Cobb County, Georgia, on May 25. He was 71.

According to Cobb County police, the crash occurred around 11:35 p.m. on Veterans Memorial Highway near Buckner Road in Mableton. Sumler’s Nissan was struck head-on by a Kia entering the intersection. Sumler was pronounced dead at the scene by the Cobb County Medical Examiner’s Office. The other driver was not injured.

  

Sumler, a Chicago native, began working with Kool & the Gang in the mid-1980s after meeting a member of the band's security team at a local show. He initially joined as a wardrobe stylist and later became known for energizing crowds as a hype man, often dancing across the stage with a boombox or Walkman. He also contributed as a backup singer and tambourine player.

In a 2018 interview on the "Kelly Talk Show," Sumler recounted his introduction to the band and his evolving role over the years. He worked with Kool & the Gang from 2000 to 2015, ensuring the band looked their best on stage and engaging audiences with his dynamic presence.

Kool & the Gang paid tribute to Sumler on social media, stating, “We’re deeply saddened to hear about the passing of our longtime wardrobe valet, Mike Sumler. Mike worked alongside Kool & the Gang from 2000–2015, making sure the guys looked their best on stage every night. He also hyped the crowd with his energy and dance moves at the top of the show.”

Sumler was born on Nov. 1, 1953, in Chicago to John and Dorothy Sumler. He grew up in the Kenwood neighborhood and attended Bond Elementary School and Harper High School. His mother, Dorothy Sumler, described him as “a good guy, my only son, the oldest of my three children, and he’d do anything he could for you.”

He is survived by his daughters, Monica Ford and Elisia White; his son, Alexander Jenkins; seven grandchildren; and seven great-grandchildren.

A celebration of life will be held from 5 to 8 p.m. on June 9 at Emanuel’s Chapel Funeral Home, 5112 S. Western Ave. A wake is scheduled for 11 a.m. on June 10 at Mt. Pisgah Missionary Baptist Church, 4600 S. King Dr., followed by a funeral service at noon.

John Edwards, Frontman for R&B Group The Spinners, Dead at 80

John Edwards, the lead singer who helped sustain The Spinners’ chart success from 1977 through 2000, has died at 80, the group announced Saturday on its official Facebook page.

Edwards, a Missouri native who took over for Phillippe Wynne, lent his baritone to hits such as “Working My Way Back to You” and “Cupid” and was inducted alongside the group into the Rock & Roll Hall of Fame in 2023.

 

Edwards joined The Spinners at age 33, stepping into the shoes of Wynne—whose departure in 1977 left big expectations. “He proved more than capable of bearing the burden, ensuring that the excellence that fans came to associate with The Spinners would continue uninterrupted,” the group’s statement read. “John Edwards is an integral part of The Spinners’ legacy and we will continue to celebrate his contributions to this mighty legacy.”

Before his tenure with The Spinners, Edwards recorded as a solo artist and found modest success, according to SoulTracks, which also reported that he had been in poor health since suffering a stroke more than two decades ago.

 

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The Spinners first rose to fame in the early 1970s with Phil Collins–produced tracks like “I’ll Be Around” and “Could It Be I’m Falling in Love.” They received a star on the Hollywood Walk of Fame in 1976 and were inducted into the National Rhythm & Blues Hall of Fame in 2015 before their Rock Hall honor. Edwards’ era kept that momentum alive with polished soul-pop that bridged AM radio and disco dance floors.

Edwards retired from touring in 2000 but continued to make public appearances with his former bandmates on special occasions. He is survived by his wife and two children.

Alice Tan Ridley, Gospel Voice of NYC’s Underground and Mother of Gabourey Sidibe, Dies

Alice Tan Ridley performs for commuters at the 34th Street–Herald Square subway station in New York City, where she sang for decades before rising to national fame. " (Photo by Kbwords, via Wikimedia Commons)

Alice Tan Ridley, a beloved gospel and R&B singer whose powerhouse vocals captivated New York City subway riders for decades — and later millions of TV viewers — has died. She was 72.

Perhaps best known to mainstream audiences as the mother of Oscar-nominated actress Gabourey Sidibe ("Precious"), Ridley carved out her own remarkable path in entertainment, rising from subway platforms to the national stage when she became a semifinalist on "America’s Got Talent" in 2010.

Ridley died March 25 in New York, her family confirmed. Her daughter, son Ahmed Sidibe, and twin grandchildren survive her.

Ridley’s emotional performance of Etta James’ “At Last” during her AGT audition brought the house down — but her story stretched far beyond the spotlight. For years before that moment, the Georgia-born performer was a staple at Herald Square, singing for tips and drawing crowds with a voice that stopped busy commuters in their tracks.

Born Dec. 21, 1952, in Charles Junction, Georgia, Ridley was the seventh of eight siblings in a musically inclined family. “Every one of us sings or plays music,” she told The New York Times in a 2016 interview. Inspired by artists like Aretha Franklin and Mahalia Jackson, she moved to New York in the 1970s and became a special education teacher in Brooklyn. But after losing her job and navigating the challenges of single motherhood, she turned to busking to support her family.

Happy Mothers Day to all mothers but especially to mine who is the best! 💐🌸🌷💐🌸🌸💐🌹🌸💐🐅🐯🐯 pic.twitter.com/MHB81iNZBH

— Gabby Sidibe (@GabbySidibe) May 10, 2015

“I was a big secret,” Ridley said. “With so many people passing by, I wondered, ‘Why doesn’t somebody introduce me to someone who could help me out?’”

That someone eventually came along. In 2010, Israeli student Dvir Assouline spotted Ridley performing and became her manager. Not long after, she made her prime-time debut, mesmerizing viewers nationwide.

Ridley’s road to recognition included stops beyond "AGT." She won $25,000 on Fox’s "30 Seconds to Fame" in 2002, sang "Amazing Grace" in the 2005 documentary "Rize," and performed "America the Beautiful" in the feature film "Heights." She was also a regular performer at Harlem’s Cotton Club.

At 63, she released her first studio album, "Never Lost My Way," a mix of covers and originals co-written with producer Jay Stolar. She toured internationally, performed at B.B. King’s in New York, and lent her voice to commercial campaigns for Buick and Royal Caribbean Cruises.

Even with her newfound fame, Ridley remained connected to her subway roots. In 2014, she returned underground to perform. “When I was no longer down under there, I missed it,” she told The New York Times.

Ridley retired in 2018 after being diagnosed with dementia. In addition to her children and grandchildren, she is survived by siblings James, Tommy, Julia, and Mildred. She was preceded in death by her sister Dorothy Pittman Hughes, a pioneering civil rights activist, and her brother Roger Ridley, the singer whose street performance of “Stand by Me” helped launch the Playing For Change movement.