Grassroots Campaign Aims to Fund Sun Ra Arkestra’s Return to Jazz Pioneer’s Hometown

Sun Ra appears in a 1973 publicity photo for Impulse/ABC Dunhill Records. A grassroots GoFundMe campaign aims to bring the Sun Ra Arkestra to his hometown of Birmingham for a four-day celebration of what would be his 111th birthday.

A grassroots GoFundMe campaign has raised more than $22,000 (as of press time) toward a $31,000 goal to bring the Sun Ra Arkestra to Birmingham for a four-day celebration of the bandleader’s 111th birthday. All proceeds will cover travel, lodging and production costs, with concert ticket revenue supporting local venues and youth jazz programs.

Herman “Sonny” Poole Blount, better known as Sun Ra, was born in Birmingham on May 22, 1914, and died there on May 30, 1993. A pioneering composer, bandleader and Afrofuturist philosopher, he fused big-band swing with synthesizers and cosmic theatrics to forge a sound that inspired generations. Over a 50-year career and nearly 200 albums, he composed more than 1,000 pieces, pioneering free improvisation, modal jazz and early electronic keyboards. His theatrical live shows — complete with elaborate costumes, dancers and spoken-word manifestos — helped lay the foundation for Afrofuturism and influenced artists from Parliament-Funkadelic to Janelle Monáe.

 

Since Ra’s passing, saxophonist Marshall Allen has led the Arkestra, preserving Ra’s “discipline” and expansive vision on stages worldwide. Allen, who turned 100 last year, remains at the helm of a band that has sold out shows from European jazz festivals to Tokyo’s Shinjuku Pit Inn.

The campaign, “Celebrate Sun Ra’s Legacy in Birmingham,” brings together the Alabama Jazz Hall of Fame, Sidewalk Cinema, Saturn Records, Seasick Records, Southern Music Research Center and East Village Arts. Two headline concerts — May 22 at Carver Theatre and May 23 at The Nick — anchor a slate of film screenings, art exhibits, panel discussions and youth workshops. Proceeds from the May 22 concert will benefit the Hall’s Saturday Jazz Greats initiative.

“This is our chance to honor Sun Ra where it all began,” said organizer Lee Shook. “Fans from Chicago to Tokyo to Johannesburg can join us in spirit — and help launch Birmingham’s first official Sun Ra Day.”

Tentative Event schedule (May 21–24)

• May 21: Screening of Space Is the Place at Sidewalk Cinema; House of Found Objects after-party

• May 22 (Sun Ra’s birthday): Seasick Records in-store signing at noon; workshop TBA; Arkestra concert at Carver Theatre; late-night set at Saturn Records

• May 23: “An Evening with the Sun Ra Arkestra” at The Nick, site of their famed 1988 show

• May 24: Craig Legg’s “Ark in Town” exhibit at East Village Arts; Moon Stew potluck and DJ sets by Rahdu, Suaze and The Audiovore

Full schedule and donation info at gofundme.com/f/4sc93-celebrate-sun-ras-legacy-in-birmingham.

2025 AMAs: Kendrick Lamar Tops Nominees, Beyoncé Lands Country Album Nod

Kendrick Lamar, seen in a promotional image for “GNX,” leads the 2025 American Music Awards with 10 nominations — a showing that could make him the most-awarded hip-hop artist in AMA history.

Kendrick Lamar tops this year’s American Music Awards with 10 nominations, including Artist of the Year; Album of the Year for "GNX"; Song of the Year for "Not Like Us"; Collaboration of the Year; Favorite Music Video; Favorite Male Hip-Hop Artist; Favorite Hip-Hop Album; and three entries in Favorite Hip-Hop Song ("Like That," "Not Like Us" and "Luther").

He landed three of the five slots in Favorite Hip-Hop Song, underscoring his dominance on the charts and in culture.

Black women make a major showing across genres. SZA joins Lamar on multiple fronts — Artist of the Year; Collaboration of the Year ("Luther"); and Favorite Female R&B Artist — while rising star Doechii vies for Social Song of the Year ("Anxiety") alongside fellow breakout Lola Young. In Favorite Female Hip-Hop Artist, the field is a who’s-who of today’s voices: Doechii, GloRilla, Latto, Megan Thee Stallion and Sexyy Red.

R&B also reflects the strength of urban voices. SZA’s "SOS Deluxe" and The Weeknd’s "Hurry Up Tomorrow" go head-to-head for Favorite R&B Album, while Kehlani, Muni Long and Summer Walker join SZA in the Favorite Female R&B Artist race. Usher, Chris Brown and Bryson Tiller lead the men’s side in Favorite Male R&B Artist.

On the country front, Beyoncé’s "Cowboy Carter" makes history with a nod for Favorite Country Album against Shaboozey’s "Where I’ve Been, Isn’t Where I’m Going" — two Black artists vying in a category long dominated by white acts.

Post Malone follows Lamar with eight nominations, spanning Artist of the Year; Album of the Year for "F-1 Trillion"; Song of the Year for "I Had Some Help"; two bids in Collaboration of the Year ("I Had Some Help" with Morgan Wallen and "Fortnight" with Taylor Swift); Favorite Male Country Artist; Favorite Country Album; and Favorite Country Song.

Pop powerhouse Billie Eilish and breakout Chappell Roan each picked up seven nominations, while rock stalwarts Linkin Park and Twenty One Pilots aim to extend their reign in Favorite Rock Artist.

Jennifer Lopez returns to host the 51st AMAs live from Las Vegas on Monday, May 26, at 8 p.m. ET/5 p.m. PT on CBS, with streaming available on Paramount+.

Key Nominees by Nomination Count

• Kendrick Lamar (10): Artist of the Year; Album of the Year (GNX); Song of the Year (“Not Like Us”); Collaboration of the Year; Favorite Music Video; Favorite Male Hip-Hop Artist; Favorite Hip-Hop Album; Favorite Hip-Hop Song (×3)

• Post Malone (8): Artist of the Year; Album of the Year (F-1 Trillion); Song of the Year (“I Had Some Help”); Collaboration of the Year (×2); Favorite Male Country Artist; Favorite Country Album; Favorite Country Song

• Billie Eilish (7): Artist of the Year; Album of the Year (Hit Me Hard and Soft); Song of the Year (“Birds of a Feather”); Favorite Touring Artist; Favorite Female Pop Artist; Favorite Pop Album; Favorite Pop Song

• Chappell Roan (7): Artist of the Year; New Artist of the Year; Album of the Year; Song of the Year; Social Song of the Year; Favorite Female Pop Artist; Favorite Pop Album

• Shaboozey (7): New Artist of the Year; Song of the Year (“A Bar Song (Tipsy)”); Social Song of the Year; Favorite Music Video; Favorite Male Country Artist; Favorite Country Album; Favorite Country Song

For the full list of nominees, visit the official AMAs site by clicking here. 

Snoop Dogg’s Gospel Album ‘Altar Call’ Drops Sunday on Death Row

Album art for “Death Row Records Presents: Altar Call” features a photo of Snoop Dogg’s late mother, Beverly Tate, whose birthday coincides with the album’s Sunday release. (Courtesy Death Row Records)

Snoop Dogg will swap G‑funk for gospel this month, unveiling a 21‑track set titled “Death Row Records Presents: Altar Call,” dropping this Sunday — the day that would have marked the 74th birthday of his late mother, Beverly Tate.

The rapper announced the project in an Instagram reel, telling fans, “Good afternoon, loved ones … April 27 I’m dropping a gospel album on Death Row Records … God is good — won’t He do it? Try to block my blessing, my team undefeated.”

“Altar Call” reunites Snoop with several high‑profile collaborators. iHeartRadio lists guest spots from Jamie Foxx, Robert Glasper, Jazze Pha, Denaun Porter, Mali Music, Jane Handcock, October London and the newly formed Death Row Mass Choir, while the Bereal Family lends vocals to the lead single “Help Me Jesus,” released April 18.

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Speaking with faith‑based outlet Movieguide, the Long Beach native said the album “is a reflection of what [my mother] taught me — use my voice to spread love and heal the world.”

Fans can already pre‑add the record on Apple Music through a Death Row/Gamma landing page that displays the full 21‑song lineup.

“Altar Call” follows Snoop’s 2018 gospel debut, “Bible of Love,” which spent seven weeks at No. 1 on Billboard’s Top Gospel Albums chart and remained on the tally for 32 weeks overall. It is also his first full‑length release since he reacquired Death Row Records in 2022, turning the onetime gangsta‑rap stronghold into what he calls “the world’s most dangerous record label — now with a message.

Ye’s New Song Alleges Involvement in Childhood Sexual Encounter with Cousin

 

Ye appears in footage from the Netflix documentary “Jeen-Yuhs.” The rapper’s latest unreleased track, “Cousins,” has sparked controversy for its graphic lyrics and revelations about family trauma. (Photo via Netflix)

Kanye West, now legally known as Ye, ignited fresh controversy this week after sharing a graphic lyric about a family member in a snippet of an unreleased track titled "Cousins."

In an Instagram post that included audio from the song, Ye rapped, “I sucked my cousin’s d***,” a line that quickly set off a firestorm of online reaction. Delivered without explanation, the lyric appears amid broader themes of trauma, incarceration, and family betrayal.

The song's content is deeply personal and disturbing. In "Cousins," Ye recounts a sexual encounter with a male cousin during childhood, attributing the experience to early exposure to explicit material. He also claims that the cousin, whose name he has not disclosed, is currently serving a life sentence for murder.

Ye expanded on the track’s backstory in a post on X (formerly Twitter), writing:

“This song is called COUSINS about my cousin that's locked in jail for life for killing a pregnant lady a few years after I told him we wouldn't 'look at dirty magazines together' anymore. Perhaps in my self-centered mess I felt it was my fault that I showed him those dirty magazines when he was 6 and then we acted out what we saw.”

The lyrics describe discovering adult magazines in his mother's closet, reenacting what they saw, and a sexual relationship that reportedly lasted until Ye was 14. In the song, Ye describes the cousin as someone he once loved, but who later became estranged — and now, incarcerated.

The response was immediate and polarized. Critics and fans alike questioned Ye’s mental health and artistic judgment, while some attempted to interpret the song as a confessional or a commentary on generational trauma. Others viewed it as a calculated shock tactic.

Mental health experts have emphasized the need for sensitivity when addressing subjects involving abuse, family trauma, and childhood sexual experiences. Ye has previously spoken about living with bipolar disorder, and episodes like this have renewed public debate over the boundaries between transparency, trauma, and sensationalism in art.

The full track has not been released on streaming platforms, but the snippet remains available on Ye’s Instagram.

25 Years Later, Aaliyah’s Soundtrack for 'Romeo Must Die' Still Defines a Generation

Aaliyah and Jet Li share a scene in Romeo Must Die (2000), the hip-hop-infused action film whose chart-topping soundtrack helped define a generation. (Warner Bros. Pictures)

Twenty-five years ago, the soundtrack to "Romeo Must Die" did more than just accompany a movie, it helped define an era.

Released in April 2000, the compilation captured the slick, futuristic pulse of R&B and hip-hop at the turn of the millennium. With Aaliyah as both the film’s star and the centerpiece of its soundtrack, the album became a cultural force, fusing sound and screen into one unforgettable moment in time.

The lead single, “Try Again,” didn’t just climb the charts — it rewrote them.

Produced by Timbaland, the track made history as the first song to top the Billboard Hot 100 based solely on radio airplay, without a commercial single release in the U.S. Its sci-fi beat, driven by Timbaland’s signature synth bassline, gave listeners a glimpse into the sound of the future.

The music video, directed by Wayne Isham, blended stylized futuristic visuals with clips from the film, further cementing Aaliyah’s status as an icon. It went on to earn critical acclaim, winning both Best Female Video and Best Video from a Film at the 2000 MTV Video Music Awards.

 

But “Try Again” was just the beginning.

Aaliyah delivered multiple standout moments on the "Romeo Must Die soundtrack," including the DMX-assisted “Come Back in One Piece” — a gritty, East Coast-meets-sultry-South duet that mirrored the film’s streetwise romance. The slow-burning ballad “I Don’t Wanna” and the percussive, synth-tinged “Are You Feelin’ Me?” showcased her vocal range and cool control, further elevating her role not just as a performer, but as the executive producer shaping the project’s sound and identity.

  

Behind much of the album’s sonic innovation was Timbaland, whose glitchy, polyrhythmic production ran through the tracklist like an electric current. Whether on the playful Timbaland & Magoo cut “We At It Again” or Ginuwine’s smooth and seductive “Simply Irresistible,” his fingerprints were everywhere — reshaping R&B with every stuttered vocal, off-kilter drum hit and futuristic flourish.

Beyond its star power, the "Romeo Must Die" soundtrack played like a roll call of turn-of-the-millennium hip-hop and R&B. Destiny’s Child, still riding high on the success of "The Writing’s on the Wall," brought confident swagger with “Perfect Man.” Joe added smooth soul to the mix with “Rose in a Concrete World (J Dub Remix),” while Cash Money’s B.G. injected street grit on “Rollin’ Raw.” Rounding out the roster were Mack 10, Dave Hollister, Chanté Moore, and Static Major — a lineup that captured the era’s sonic range and commercial reach.

 

More than a collection of songs, the Romeo Must Die soundtrack became a sonic time capsule — the kind of album that blared from car stereos, rocked house parties, and soundtracked late-night club sets. It was music made for motion: dancing, driving, grinding, remembering. It didn’t just complement the film — it outlived it.

Today, the soundtrack stands as a lasting tribute to Aaliyah’s artistry and vision. Her untimely death in 2001 renders every track more poignant — a reminder of what was, and what could have been. Still, the music endures, echoing across generations and playlists.

On this 25th anniversary, revisit the soundtrack that dared to lead, not follow. Press play, reflect, and remember the moment when one album captured the rhythm of an entire era.

Stream the full album here:

'No scrubs, just legends': TLC musical to debut in D.C. next summer

Cover art for TLC’s landmark 1994 album "CrazySexyCool." The Grammy-winning release inspired the upcoming stage musical of the same name, debuting in 2026 at Arena Stage in Washington, D.C.

A new musical celebrating the legacy of TLC, the trailblazing R&B trio behind hits like "Waterfalls" and "No Scrubs," is set to make its world premiere at Arena Stage’s Kreeger Theater in Washington, D.C. next summer.

Titled "CrazySexyCool – The Musical," the production will run from June 12 through August 9, 2026, and aims to bring the group’s story — equal parts electrifying and emotional — to the stage with a blend of iconic music, bold choreography, and sisterhood-driven storytelling.

Penned and directed by Kwame Kwei-Armah, a British playwright and actor best known for his work on "One Love: The Bob Marley Musical," the show traces the rise of Tionne “T-Boz” Watkins, Lisa “Left Eye” Lopes, and Rozonda “Chilli” Thomas as they navigated fame, friendship, loss and the music industry’s highest highs and deepest pitfalls. Choreography is helmed by Chloe O. Davis, whose recent credits include associate choreographer for the Broadway revival of "Gypsy" and dance captain for Alicia Keys’ "Hell’s Kitchen."

“Bringing this story to the stage is a dream come true,” Watkins said in a statement. “We have performed in a lot of different venues all over the world throughout our career, but bringing our story and music to the theater is a totally new and exciting challenge.”

“We have some of the best people in the business working on this project,” Thomas added. “Audiences will get to hear our story — mostly fact with a sprinkle of fiction — told in our own way, and of course it’s set to all your favorite hits!”

The musical takes its name from the group’s 1994 blockbuster album "CrazySexyCool," which earned diamond certification and yielded four Billboard Top 10 singles including “Creep” and “Red Light Special.” The album won two Grammy Awards: Best R&B Album and Best R&B Performance by a Duo or Group with Vocals.

With a tagline promising “No scrubs. Just legends,” the production offers a fresh lens on TLC’s cultural impact, digging into the group’s creative clashes, personal resilience, and enduring influence.

At their peak, TLC didn’t just dominate radio, they shaped an era. From bold fashion statements and genre-defying visuals to music that addressed everything from safe sex to self-worth, the trio helped define the sound and style of the '90s. They remain the best-selling American girl group of all time.

Tickets and additional casting details will be announced ahead of the production’s debut.

Charlie Wilson, Babyface, K-Ci, and El DeBarge Unite for Cross-Generational R&B Celebration

K-Ci Hailey, Charlie Wilson, Babyface, and El DeBarge (from left) are joining forces for Uncle Charlie’s R&B Cookout Tour. (Photo by Jacob Huizar)

Charlie Wilson is hitting the road this summer with a lineup that reads like an R&B Hall of Fame reunion, and a live show that feels more like a family cookout than a concert.

 
Uncle Charlie’s R&B Cookout Tour launches August 27 at the Hollywood Bowl and brings together a powerhouse ensemble: Wilson, Babyface, K-Ci Hailey, and El DeBarge, rotating across dates in more than 20 cities including New York, Houston, Atlanta, Chicago, and Detroit. Produced by Live Nation Urban and P Music Group, the tour promises a celebration of legacy, groove, and soul-fueled connection.

Wilson’s impact spans decades, from his days with The Gap Band — delivering funk staples like “Outstanding” and “Yearning for Your Love” — to solo hits like “There Goes My Baby” and “Charlie, Last Name Wilson.” Babyface, meanwhile, is both a performer and a behind-the-scenes legend, having penned and produced R&B essentials for Whitney Houston, Boyz II Men, Toni Braxton, and more.

K-Ci Hailey, one of the most recognizable voices in R&B, brings hits from Jodeci (“Come and Talk to Me,” “Forever My Lady”) and K-Ci & JoJo (“All My Life”). El DeBarge’s smooth falsetto rounds out the lineup with radio staples like “I Like It” and “Rhythm of the Night.”

Rather than lean on the past, the tour leans into the enduring relevance of Black music. The cookout theme evokes something more intimate, a gathering of generations, voices, and shared memories. “This tour is about more than great performances,” said P Music Group CEO Michael Paran. “It’s about capturing that feeling — the joy, the energy, and the nostalgia you feel when you’re surrounded by genuine love.”

“I’ve been performing for so long that my audience isn’t just made up of fans,” Wilson added. “It really has become a family.”

In select cities, fans can purchase an exclusive VIP upgrade that includes an all-you-can-eat cookout-style pre-show with comfort food, cocktails, and curated vibes. Tickets and full details are available now at unclecharliescookout.com.

---

R&B Cookout Tour — 2025 Dates

Wed 8/27 – Hollywood, CA – Hollywood Bowl *
Fri 8/29 – Concord, CA – Toyota Pavilion *
Fri 9/5 – Detroit, MI – Little Caesars Arena
Sat 9/6 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
Sun 9/7 – St. Louis, MO – Hollywood Casino Amphitheatre
Thu 9/11 – Newark, NJ – Prudential Center
Fri 9/12 – Wantagh, NY – Northwell at Jones Beach Theater
Sat 9/13 – Boston, MA – Leader Bank Pavilion
Sun 9/14 – Philadelphia, PA – TD Pavilion at The Mann
Fri 9/19 – Raleigh, NC – Coastal Credit Union Music Park
Sat 9/20 – Baltimore, MD – CFG Bank Arena
Sun 9/21 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
Fri 9/26 – Houston, TX – The Cynthia Woods Mitchell Pavilion presented by Huntsman
Sat 9/27 – Oklahoma City, OK – Zoo Amphitheater
Sun 9/28 – Dallas, TX – Toyota Music Pavilion
Fri 10/3 – New Orleans, LA – Smoothie King Arena **
Sat 10/4 – Atlanta, GA – Chastain Park *
Sun 10/5 – Charlotte, NC – PNC Music Pavilion
Fri 10/10 – Birmingham, AL – Coca-Cola Amphitheater
Sat 10/11 – Brandon, MS – Brandon Amphitheater *
Sun 10/12 – Memphis, TN – FedEx Forum

*(*No El DeBarge | *No Babyface)

Watch: New Beyoncé Levi’s Ad Pays Homage to ’80s Iconic Denim Spot

Beyoncé is once again rewriting the rules of style and sound — this time through a denim-clad remix of a Levi’s classic.

The global icon headlines a new commercial for the brand’s “Levii’s” campaign, a sleek, Americana infused homage to her country crossover era, “Cowboy Carter.” Directed by longtime collaborator Melina Matsoukas (“Queen & Slim”), the latest spot reimagines Levi’s iconic 1988 “Refrigerator” ad — but this time, Beyoncé is the center of gravity.

Clad in her custom “Levii’s” jean shorts, the superstar retrieves a denim shirt from the fridge while country artist Willie Jones — who also appears on “Cowboy Carter” — looks on. The spot’s soundtrack features her song “Levii’s Jeans,” a collaboration with Post Malone, weaving the campaign directly into the sound and style of Act II of her anticipated musical trilogy, which began with 2022’s “Renaissance.”

Filmed in late July at the chrome-plated Bendix Diner in Hasbrouck Heights, New Jersey, the commercial marks Chapter 3 of Levi’s larger “Reiimagine” series. The spot is one of several Beyoncé-led reinterpretations of the brand’s most iconic ’80s and ’90s ads. Chapter 1, titled “Launderette,” was shot at a laundromat in Nutley, New Jersey, and flips the 1985 Nick Kamen Levi’s ad. Chapter 2, “Pool Hall,” features actor Timothy Olyphant and riffs on a 1991 favorite.

While Jersey locals might recognize the Bendix from its cameos in “The Many Saints of Newark” and other productions, the impact of Beyoncé’s “Levii’s” campaign is unmistakably global — rooted in legacy denim but refreshed with a distinctly Southern Black flair.

The campaign is one of several strategic moves tied to the launch of her “Cowboy Carter” era, which continues April 28 when her Rodeo Chitlin’ Circuit Tour kicks off with five dates in Los Angeles. Beyoncé will then bring the tour to MetLife Stadium in East Rutherford, New Jersey, for five more shows later in May.

It’s the latest example of Beyoncé’s precision-crafted evolution — merging pop stardom, fashion innovation, and cultural storytelling in one sleek package.

The full “Reiimagine” campaign, including the new “Refrigerator” ad, is now streaming on Levi’s official channels.

Soulja Boy Ordered to Pay Millions After Jury Finds Him Liable for Assault, Harassment

Soulja Boy performs during the 2024 "BET Hip Hop Awards" on Oct. 8 in Las Vegas. A Los Angeles jury ordered him to pay $4.25 million in a civil abuse case on April 11. (Photo by Paras Griffin/Getty Images for BET)

A Los Angeles jury has ordered rapper DeAndre Cortez Way, better known as Soulja Boy, to pay $4.25 million in damages to a woman who accused him of sustained sexual and physical abuse during the time she lived and worked with him.

The verdict, delivered Thursday, found Way liable on several civil counts, including sexual battery, assault, gender violence, sexual harassment, and intentional infliction of emotional distress. Jurors awarded $4 million in compensatory damages and $250,000 in punitive damages to the plaintiff, who filed the lawsuit under the pseudonym Jane Doe.

"I got some justice," the woman told reporters after the verdict. "I’m happy that this is all over now."

Her attorney, Neama Rahmani of West Coast Trial Lawyers, called the decision a milestone. "Today is just the beginning of justice for Soulja Boy's victims," he said.

Soulja Boy is asked by reporter Meghann Cuniff if he prefers Indica or Sativa after walking into the courtroom smelling like weed 💀
pic.twitter.com/EJ5F07bnmW

— No Jumper (@nojumper) March 26, 2025

Way, 34, rose to fame in 2007 with the viral chart-topper "Crank That (Soulja Boy)," but has since been embroiled in multiple legal disputes. Speaking outside the courtroom, he expressed disappointment in the outcome and maintained his innocence.

"This case was never about justice. It was about money and personal gain," he said, reading from a statement. "I want to make it clear that I'm innocent. I am committed to filing an appeal and fighting for the truth to be revealed."

The lawsuit, originally filed in 2021, alleged that the woman was employed as Way’s assistant from early 2019 through mid-2020, during which time she was subjected to escalating abuse. She testified that she handled personal tasks for Way, including styling his hair, arranging travel, and ensuring a steady supply of fast food and marijuana. Text messages presented in court reflected these duties, along with a disturbing pattern of verbal abuse.

"Fuk u bitch. I hope u die slow," Way wrote in one message. In another, the woman replied, "You think you can keep hitting on me you are crazy."

She testified that the abuse left her physically and emotionally broken. "I didn’t even feel human anymore," she said. "I felt like an animal."

Despite denying that he employed the plaintiff, Way admitted under oath that he had referred to her as his assistant at least once in public. His legal team argued she received room and board in exchange for rolling marijuana blunts, which they claimed was common practice in the entertainment industry.

The jury was unconvinced, finding Way liable on seven of the nine claims brought against him. He was cleared of false imprisonment and constructive discharge.

During the punitive damages phase, Way testified about his financial situation, claiming that he could not pay the full amount. "As far as $4 million just to pull out and pay, I don’t have that," he said.

He cited mounting legal expenses, $25,000 in monthly rent, and the cost of caring for two young children. He also said he lost a performance slot at Coachella due to the allegations and that his music income had suffered. Despite claiming he had earned $15–20 million from "Crank That," he said he could not confirm royalty figures or his total 2024 earnings.

Way’s current income includes sporadic streaming revenue and modest earnings from TikTok appearances and entrepreneurial ventures like a cologne line and previously shuttered video game project. He testified that his bank account "fluctuates" and that the trial had financially drained him.

This is not the first time Way has been held liable for abuse. In 2023, he was ordered to pay nearly half a million dollars to another woman, Kayla Myers, who alleged domestic violence and unlawful imprisonment. He did not appeal that judgment. He also faces an ongoing lawsuit from ex-girlfriend Nia Riley, who appeared with him on the reality show "Love & Hip Hop."

Rahmani called the latest verdict a warning to the music industry. "The days of physically and sexually abusing your employees? Those days are over."

The plaintiff, 37, said she’s now focused on building a new life, one that includes a chicken farm—and a chick named Chicki Minaj.

"It’s not going to give me my life back," she said, "but it’s going to help. I don’t want to be anybody’s assistant for a while."

R&B Icon Toni Braxton Wed Birdman Last Summer, Quietly Called It Off — Then Undid It

The couple posing together in a previously deleted Instagram post. 

Toni Braxton and Birdman’s long-running romance took an unexpected turn last year — one they never publicly acknowledged until now.

According to court documents obtained by "TMZ" and confirmed through multiple sources, the R&B legend and Cash Money Records co-founder quietly tied the knot on Aug. 8, 2024. But just two days later, Braxton filed for divorce, citing that the marriage was “irretrievably broken.”

The singer, 57, listed Aug. 10 as their date of separation in legal filings. However, in a surprising twist, she dismissed the divorce petition in January 2025, and Birdman (born Bryan Christopher Williams) signed off on the decision — meaning the two remain legally married.

Still, the couple’s current relationship status is unclear. Braxton has not been seen wearing a wedding ring in recent Instagram posts, and both she and Birdman have reportedly scrubbed photos of each other from their social media accounts.

The news contradicts a statement Braxton made in December 2023, when she publicly denied rumors of a secret wedding and insisted, “My dear friend @birdman and I are not married…never been married. We are both single.” She ended the message with a sharp “#FAKENEWS.”

The pair’s relationship has been marked by years of stops and starts. After decades of friendship, they began dating in May 2016. Birdman proposed in early 2018 with a $1 million diamond ring, but the couple called off the engagement in 2019 before reconciling shortly afterward.

Throughout their on-again, off-again relationship, both have spoken publicly about their bond.

 

In a 2017 episode of "Braxton Family Values," Braxton gushed, “He likes to do things to show that he cares about me, like sending flowers… He’s an undercover gentleman and he makes me feel adored.” A year later, Birdman echoed the sentiment on "The Wendy Williams Show," calling her “my love, my soldier, my everything.”

Most recently, in an April 2024 interview with People, Braxton described herself as single and “looking forward to getting out there and dating.”

If their 2024 nuptials hold, this would be Braxton’s second marriage. She was previously married to musician Keri Lewis from 2001 to 2013, with whom she shares two sons, Denim and Diezel. Birdman has never been married but has two adult children — Bryan Jr. and Bria — from a previous relationship.

As of today, neither Braxton nor Birdman has commented publicly on their status — leaving fans to wonder whether their love story is officially over or simply paused.

Alice Tan Ridley, Gospel Voice of NYC’s Underground and Mother of Gabourey Sidibe, Dies

Alice Tan Ridley performs for commuters at the 34th Street–Herald Square subway station in New York City, where she sang for decades before rising to national fame. " (Photo by Kbwords, via Wikimedia Commons)

Alice Tan Ridley, a beloved gospel and R&B singer whose powerhouse vocals captivated New York City subway riders for decades — and later millions of TV viewers — has died. She was 72.

Perhaps best known to mainstream audiences as the mother of Oscar-nominated actress Gabourey Sidibe ("Precious"), Ridley carved out her own remarkable path in entertainment, rising from subway platforms to the national stage when she became a semifinalist on "America’s Got Talent" in 2010.

Ridley died March 25 in New York, her family confirmed. Her daughter, son Ahmed Sidibe, and twin grandchildren survive her.

Ridley’s emotional performance of Etta James’ “At Last” during her AGT audition brought the house down — but her story stretched far beyond the spotlight. For years before that moment, the Georgia-born performer was a staple at Herald Square, singing for tips and drawing crowds with a voice that stopped busy commuters in their tracks.

Born Dec. 21, 1952, in Charles Junction, Georgia, Ridley was the seventh of eight siblings in a musically inclined family. “Every one of us sings or plays music,” she told The New York Times in a 2016 interview. Inspired by artists like Aretha Franklin and Mahalia Jackson, she moved to New York in the 1970s and became a special education teacher in Brooklyn. But after losing her job and navigating the challenges of single motherhood, she turned to busking to support her family.

Happy Mothers Day to all mothers but especially to mine who is the best! 💐🌸🌷💐🌸🌸💐🌹🌸💐🐅🐯🐯 pic.twitter.com/MHB81iNZBH

— Gabby Sidibe (@GabbySidibe) May 10, 2015

“I was a big secret,” Ridley said. “With so many people passing by, I wondered, ‘Why doesn’t somebody introduce me to someone who could help me out?’”

That someone eventually came along. In 2010, Israeli student Dvir Assouline spotted Ridley performing and became her manager. Not long after, she made her prime-time debut, mesmerizing viewers nationwide.

Ridley’s road to recognition included stops beyond "AGT." She won $25,000 on Fox’s "30 Seconds to Fame" in 2002, sang "Amazing Grace" in the 2005 documentary "Rize," and performed "America the Beautiful" in the feature film "Heights." She was also a regular performer at Harlem’s Cotton Club.

At 63, she released her first studio album, "Never Lost My Way," a mix of covers and originals co-written with producer Jay Stolar. She toured internationally, performed at B.B. King’s in New York, and lent her voice to commercial campaigns for Buick and Royal Caribbean Cruises.

Even with her newfound fame, Ridley remained connected to her subway roots. In 2014, she returned underground to perform. “When I was no longer down under there, I missed it,” she told The New York Times.

Ridley retired in 2018 after being diagnosed with dementia. In addition to her children and grandchildren, she is survived by siblings James, Tommy, Julia, and Mildred. She was preceded in death by her sister Dorothy Pittman Hughes, a pioneering civil rights activist, and her brother Roger Ridley, the singer whose street performance of “Stand by Me” helped launch the Playing For Change movement.

Mentor to Nipsey Hussle, 'Big U' Henley Pleads Not Guilty in Federal Racketeering Case

Eugene "Big U" Henley Jr.

Eugene "Big U" Henley Jr., one of the most polarizing figures in Los Angeles hip-hop and street culture — known for his early mentorship of Nipsey Hussle and deep ties to both gang and community work —pleaded not guilty Tuesday to a sweeping 43-count federal indictment that charges him with racketeering, murder, extortion, wire fraud, and embezzlement.

Henley, 58, made his initial court appearance in downtown Los Angeles, where he faces allegations of leading a “mafia-like” criminal organization operating under the name Big U Enterprise — a group authorities say used intimidation, public goodwill, and alleged connections to the Rollin’ 60s Neighborhood Crips to commit a wide range of crimes. He remains in custody with a detention hearing scheduled for Thursday. A trial date has been set for May 20, though prosecutors have indicated it may be delayed.

In addition to claims of violence and intimidation, federal prosecutors allege Henley used his nonprofit and label, Uneek Music, to defraud government agencies, pandemic relief programs, and high-profile donors, including NBA stars Shaquille O’Neal and Draymond Green. According to court records, he submitted falsified financial information to secure COVID-19 relief loans and pocketed funds meant for community programs and charitable outreach.

One of the most serious allegations in the indictment is that Henley ordered the 2021 kidnapping and murder of rapper Rayshawn Williams, an artist signed to Uneek Music. Prosecutors say Williams recorded a track that “dissed” Henley. In response, Henley allegedly abducted Williams in Las Vegas, killed him, and dragged his body into the desert off Interstate 15.

Henley, who has received city funding for youth intervention work, was also accused of misusing grant money from the Gang Reduction and Youth Development program run by the L.A. Mayor’s Office. Officials allege the money — intended to reduce violence — was funneled into Big U Enterprise for criminal purposes.

From 2010 through early 2024, investigators say Henley ran a sophisticated network that mixed legitimate community work with threats, scams, and violence. He is accused of embezzling donations, robbing individuals under the guise of business deals, and using his public image to gain trust in South Los Angeles and beyond.

Before his arrest, Henley posted a video to Instagram disputing the charges: “I’m looking at all these charges in the news… Ain’t going to be no real evidence. Ain’t going to be no real nothing… They’re saying all that stuff to assassinate my character.”

Acting U.S. Attorney Joseph McNally said Henley's public image as a peace broker masked deeper criminal conduct. “As the indictment alleges, Mr. Henley led a criminal enterprise whose conduct ranged from murder to sophisticated fraud that included stealing from taxpayers and a charity,” McNally said in a statement. “Today’s charges against the leadership of this criminal outfit will make our neighborhoods in Los Angeles safer.”

Henley, a former inmate who served 13 years for a 1991 drug case, has long walked a complicated line between notoriety and influence. He played a key role in launching the career of Nipsey Hussle, the South L.A. rap icon remembered for his activism and business acumen. Hussle, who was fatally shot in 2019, often credited Big U as a mentor and early guide. Henley was also seen by many as a bridge between the streets and the city’s peacekeeping efforts — a reputation that now sits in stark contrast to the federal allegations.

His legacy as both a community figure and alleged gang leader makes the charges especially significant for many in the Los Angeles hip-hop and activist scenes. His son, Daiyan Henley, is a linebacker for the Los Angeles Chargers.


If convicted on all charges, Henley faces the possibility of a life sentence.

Nicki Minaj Drops New Sneaker Collection With LØCI, Blending Style and Sustainability

Nicki Minaj appears in a promotional image for her initial sneaker collaboration with British brand LØCI. The rapper and fashion icon, now releasing her second collection with the Black-owned company, is an equity partner and creative force behind the designs. (Photo courtesy of LØCI)

Nicki Minaj’s fashion résumé is nearly as deep as her musical one. A generational icon with more than 100 million records sold, countless award wins, and a legacy as one of hip-hop’s most influential figures, Minaj has also built a parallel empire in beauty and fashion. Her collaborations with Fendi, MAC Cosmetics, and numerous red carpet looks have made headlines for more than a decade.

Now, the multiplatinum artist is expanding that legacy with the release of “DØPAMINE,” her latest sneaker collection in partnership with British brand LØCI. The limited-edition drop blends bold design with eco-conscious innovation and follows her first successful launch with the company.

Retailing for $145, the sneakers feature a sculptural, multi-textured upper, oversized lacing, and a chunky EVA midsole designed for comfort and impact absorption. Each pair is crafted from LØCI’s signature vegan material, made from recycled ocean plastic — 20 bottles per shoe — reinforcing the brand’s sustainability mission.

“DØPAMINE signifies that beautiful rush you feel when you're at your happiest place and higher self,” Minaj said in a statement. “We can’t just stand here. These comfortable, yet flyer-than-fly sneakers fit everyone so well. I absolutely LOVE this style.”

Minaj is more than a spokesperson — she’s a key equity stakeholder and creative driver behind the brand. LØCI, a Black-owned company founded in 2021 by brothers Emmanuel and Frank Eribo, has gained recognition for its fashion-forward approach and environmental focus. The collaboration with Minaj adds cultural momentum to its growing global presence.

“Nicki brings an unmatched level of creativity and vision to everything she does,” said CEO Emmanuel Eribo. “With DØPAMINE, we’re seeing that vision realized in a way that’s bold, fresh, and globally relevant.”

From dominating Billboard charts to breaking barriers in fashion and business, Minaj’s influence stretches across industries. This drop — rooted in self-expression, sustainability, and ownership — reflects her long-standing ethos of doing things on her own terms.

The LØCI x Nicki Minaj “DØPAMINE” collection is available now at www.lociwear.com/Nicki.

New Indictment Alleges Diddy Trafficked Women, Threatened One With Firearm

Federal prosecutors in New York have filed a third superseding indictment against music mogul Sean “Diddy” Combs, intensifying the criminal case against him with additional charges and deeply disturbing allegations.

The latest filing adds one count of sex trafficking and one count of transportation to engage in prostitution, bringing the total number of federal charges against Combs to five. Prosecutors also revised the racketeering conspiracy charge to include new and more violent details.

According to the indictment, Combs is now accused of kidnapping a woman referred to as “Victim-2,” displaying a firearm to her, and allegedly dangling her over a balcony. The events are said to have occurred as part of what prosecutors describe as a years-long pattern of coercion, intimidation, and sexual exploitation.

New superseding indictment against Sean “Diddy” Combs today adds two charges.

He now faces five counts: racketeering conspiracy, two counts of sex trafficking by force, fraud or coercion and two counts of transportation to engage in prostitution. pic.twitter.com/8DDF1bjfpO

— Meghann Cuniff (@meghanncuniff) April 4, 2025

“These are not new allegations or new accusers. These are the same individuals, former long-term girlfriends, who were involved in consensual relationships,” Combs' legal team said in response to the charges. “This was their private sex life, defined by consent, not coercion.”

Prosecutors say they hope to arraign Combs on the new charges at the final pretrial conference later this month. His trial is scheduled to begin May 5 in federal court.

The updated indictment marks the third such filing in Combs’ case since his arrest last year. He has pleaded not guilty to all charges and denies any criminal wrongdoing.

The case, which stems from broader federal sex trafficking and racketeering investigations, continues to gain national attention. The prosecution’s latest filing underscores its intent to show that Combs’ alleged actions were not isolated incidents but part of a calculated criminal enterprise.

With trial preparations underway and the government expanding its narrative, Combs — who built his career as a chart-topping producer, artist, and entrepreneur — now faces the possibility of significant additional prison time if convicted.

Judge Declines to Jail Young Thug Over Critical Social Media Post

An order from Fulton County Superior Court Judge Paige Reese Whitaker issued Thursday states that rapper Young Thug, born Jeffery Williams, did not violate his probation conditions by reposting a social media message critical of a district attorney's investigator. The judge advised Williams to use discretion on social media moving forward.

An Atlanta judge decided Thursday not to revoke rapper Young Thug’s probation despite prosecutors' efforts to return him to prison over his reposting of a viral social media message that criticized a district attorney’s investigator.

Fulton County Superior Court Judge Paige Reese Whitaker issued a carefully worded order, advising Young Thug — whose legal name is Jeffery Williams — to use discretion online but ultimately concluding that his actions did not violate probation conditions.

“While the Court does not find that the cited social media post rises to the level of a violation of Defendant’s probation, it may be prudent for Defendant to exercise restraint regarding certain topics,” Judge Whitaker wrote.

Prosecutors argued that Williams violated probation terms when he reposted a viral tweet featuring a photograph of Marissa Viverito, an investigator from the Fulton County District Attorney’s office, labeling her as the “biggest liar in the DA office.” Viverito had previously testified in Williams' criminal trial. Fulton County District Attorney Fani Willis claimed the repost threatened the safety and integrity of a witness involved in Williams’ high-profile case.

Williams’ lead attorney, Brian Steel, vigorously contested the prosecution’s position, stating there was no factual or legal basis for the probation revocation attempt.

“The prosecution’s motion to revoke Mr. Williams’ probation fails, on its face, to allege any conduct by Mr. Williams that would rise to a violation of the probationary sentence,” Steel wrote in a response filed Thursday. “There is no violation of Mr. Williams’ probation by reposting an image on social media and opining that Investigator Viverito is untruthful.”

Williams himself took to the social media platform X following news of the prosecutors' filing to clarify his intentions, stating: “I don’t make threats to people, I’m a good person. I would never condone anyone threatening anyone or definitely participate in threatening anyone. I’m all about peace and love.”

Williams had previously been incarcerated for more than two years awaiting trial on drug, gang, and gun charges. In October, he accepted an open plea agreement, receiving a sentence of time served plus 15 years probation, along with a conditional consecutive sentence of 20 additional years contingent upon violating his probation terms.

Now free to continue his music career, Williams, 33, is scheduled to co-headline the Summer Smash Festival this June alongside Don Toliver, Yeat, and Future. It will mark his first live performance since his release.

Diddy Accused of ‘Freak-Off’ Abuse; LeBron, Beyoncé, Jay-Z Among Witnesses Denying Presence

Sean “Diddy” Combs, shown here in a file photo, is being sued by a Florida man who alleges he was assaulted and humiliated at a 2015 Miami party. The lawsuit claims several celebrities, including Beyoncé, Jay-Z and LeBron James, were present; all have denied attending or witnessing the alleged events and are not named as defendants.

Sean "Diddy" Combs is facing a new lawsuit that alleges shocking and graphic abuse, adding to a growing list of accusations against the embattled music mogul.

In the complaint, filed in Florida, a man named Manzaro Joseph accuses Combs of sexual assault, trafficking, and public humiliation during a 2015 party in Miami. The event, which allegedly took place at a property owned by Gloria and Emilio Estefan on Star Island, was held in honor of Christian "King" Combs' birthday.

Joseph claims he was drugged and taken to the party in a compromised state. Once there, he alleges that Gloria Estefan saw him in distress and asked for an ambulance to be called, but Emilio intervened and removed her from the situation. He further alleges he was led through a tunnel to Combs' mansion by former adult actress Adria English and was subjected to public degradation while wearing a leather mask and a locking sex device.

Joseph's lawsuit alleges he was paraded in front of guests, stripped, and made to wear a thong and a mask with a sex toy protruding from it. He claims that several high-profile figures, including Beyoncé, Jay-Z, LeBron James, and jeweler Jacob Arabo, were present and witnessed parts of the incident.

All named public figures not listed as defendants in the suit have strongly denied the allegations or confirmed they were not in attendance:

• LeBron James' spokesperson stated, "This is demonstrably false and doesn’t even merit a response. A basic internet search shows LeBron was playing for the Cleveland Cavaliers and never in Miami in April 2015."

• Jay-Z's attorney, Alex Spiro, told PEOPLE that his client was engaged in verifiable public activities outside Florida during the alleged events.

• A representative for Gloria and Emilio Estefan said they had no involvement in the incident and confirmed that no parties were held at the property from 2012 to 2019.

• Brendan Paul, another individual mentioned in the filing, was reportedly still in high school at the time and has never been to West Palm Beach, according to his attorney.

A spokesperson for Combs dismissed the allegations entirely, saying, "This complaint demonstrates the depraved lengths plaintiffs will travel to garner headlines in pursuit of a payday. No sane person reading this complaint could credit this story. Mr. Combs looks forward to having his day in court."

The suit is one of several Combs currently faces. He has denied all previous accusations of misconduct and is scheduled to stand trial in May on federal sex crime charges.

Gloria Estefan, Beyoncé, Jay-Z, LeBron James, and Jacob Arabo are not named as defendants in the suit. Adria English and Emilio Estefan are listed as co-defendants alongside Combs.

This latest legal filing adds to mounting scrutiny surrounding Combs' behavior and the celebrity circles historically associated with his events. More legal responses and court motions are expected in the coming weeks.

Cardi B Moves Into Ownership With Fashion, Beauty Brands Backed by Revolve

Anthony Kane, via Wikimedia Commons

Cardi B is stepping into a new era — one defined not by chart-topping singles, but by legacy, ownership, and long-term vision. The Grammy-winning rapper has announced a high-stakes joint venture with California-based retail powerhouse Revolve Group to launch her first fully owned fashion and beauty brands.

It’s a power move rooted in intention. In a post shared on X, the Bronx native outlined the inspiration behind her next chapter: “Coming from a Caribbean family, the goal is always to OWN!” she wrote. “I want to leave [my kids] with something they can carry for generations to come, something that their mother built from the ground up.”

This isn’t a licensing deal or endorsement. Cardi, born Belcalis Almánzar, has spent years behind the scenes working through major collaborations with brands like Fashion Nova, Reebok and NYX. Now, she’s channeling that experience into a venture she can call her own — shaped by her values, aesthetic and business acumen.

The partnership with Revolve aims to establish a billion-dollar multibrand company, one built to last. It’s a real business play, backed by long-term goals, hands-on involvement, and a team that includes creative director and longtime manager Patientce Foster, stylist Kollin Carter, and PR veterans Jennifer Walker and Adam Drawas.

“This is a lifetime brand,” Foster said in a recent WWD cover story.

“I don’t want my kids to be fighting with record labels on how much percent they’re going to get with my music,” Cardi added. “I’m doing this for me. Not for everybody else.”

The first collection will feature a fashion line inspired by Cardi’s signature style — form-fitting, body-positive silhouettes, real sizing and quality materials. “If it’s a size small, it should be a true size small,” she said, referencing her early days hustling for clothes that actually fit. “I want people to come back.”

Beauty is also in the works, marking Revolve’s first move into that space. It’s a natural extension for Cardi, whose bold glam has become part of her cultural impact — from elaborate nails to dramatic makeup and hair. She says the goal is to offer products that reflect her personal style but also meet high performance and quality standards.

Executives at Revolve — including co-founders Michael Mente and Mike Karanikolas, and chief brand officer Raissa Gerona — see the partnership as a long-term play with global reach. With a fan base that spans continents, Cardi’s influence gives Revolve a chance to grow internationally, particularly in beauty.

“From Paris runways to the Bronx to Coachella, Cardi moves culture,” Gerona said. “This isn’t just about style — it’s about scale.”

The venture represents a broader shift in celebrity entrepreneurship — from endorsements to equity. With both sides aligned on strategy and substance, the launch stands to redefine what celebrity ownership can look like in fashion and beauty.

The first products from Cardi B’s joint venture with Revolve are expected later this year.

Hip-Hop Roundup: Diddy Lawsuit Ends, Sauce Walka Shooting Suspect Identified, Young Scooter Dead at 39

Rapper Young Scooter, seen here in a still from a YouTube video, died March 28 after sustaining injuries while fleeing police in Atlanta. His death is one of several major developments rocking the hip-hop world this week, alongside a lawsuit dismissal for Sean “Diddy” Combs and new details in the Sauce Walka shooting.

With less than two months until his federal trial on sex trafficking and racketeering charges, Sean “Diddy” Combs received some relief Monday as a federal judge dismissed one of numerous civil lawsuits filed against the embattled hip-hop mogul. U.S. District Judge Lewis J. Liman dismissed a 1995 rape lawsuit brought by an anonymous plaintiff, Jane Doe, after she failed to refile the complaint under her real name. Liman previously denied Doe’s request to remain anonymous, citing a lack of evidence of specific harm from public disclosure.

U.S. District Judge Lewis Liman in New York today dismissed a sexual assault lawsuit against Sean “Diddy” Combs at the plaintiff’s request, following the judge’s order that the woman cannot proceed anonymously.

[image or embed]

— Meghann Cuniff (@meghanncuniff.bsky.social) March 31, 2025 at 4:16 PM

The dismissal was seen as a legal win for Combs, whose spokesperson claimed it was the second such lawsuit dismissed outright, criticizing plaintiffs for hiding behind anonymity. Attorney Tony Buzbee, representing numerous plaintiffs against Combs, acknowledged the dismissal, highlighting the emotional toll and fears plaintiffs face in high-profile cases. Combs remains incarcerated at New York’s Metropolitan Detention Center, awaiting his criminal trial beginning May 12. He continues to deny all charges against him.

In related hip-hop news, authorities confirmed Monday that Jayden Dandridge, a suspect in the March 22 shooting of rapper Sauce Walka (Albert Mondane) in Memphis, Tennessee, was found dead in Houston. Memphis police continue searching for a second suspect, Kevin Brown, who faces charges including first-degree murder. The targeted shooting critically injured Sauce Walka and resulted in the death of rapper Letorian "Sayso P" Hunt. Sauce Walka, known for hits like “Texas Cyclone” and collaborations with Megan Thee Stallion and Travis Scott, is currently recovering after being hospitalized.

Police have identified Jayden Dandridge, 21, as a suspect in the shooting that killed Sayso P🕊️ and injured rapper Sauce Walka🙏🏾.

A $6K reward is offered for tips leading to his arrest. 💰

The investigation used surveillance footage and a recovered stolen 2021 Dodge Charger. pic.twitter.com/NU6nkkJdh8

— Gang Hits (@GangHits) March 27, 2025

Meanwhile, the Atlanta hip-hop scene is mourning the loss of rapper Young Scooter, born Kenneth Edward Bailey, who died Friday night after sustaining injuries while fleeing police. According to the Atlanta Police Department, officers responded to reports of a domestic dispute and possible gunfire at a residence in the Lakewood Heights neighborhood. Bailey fled, injuring his leg severely after jumping fences during the chase. Despite immediate aid from responding officers and emergency personnel, Bailey died shortly after at Grady Marcus Trauma Center. No police gunfire was involved, and the exact cause of death remains under investigation by the Georgia Bureau of Investigation. Young Scooter was known for influential mixtapes like "Street Lottery" and collaborations with artists including Future and Gucci Mane.

Huey Williams, Whose Voice Defined an Era of Gospel Music, Dies at 86

Courtesy Photo

Huey P. Williams, the commanding voice of the Jackson Southernaires and a cornerstone of American gospel music for over five decades, passed away peacefully at his home in Smithdale, Mississippi, on Wednesday. He was 86.

Born into a distinguished musical family, Williams was the elder brother of Frank Williams, founder of the Mississippi Mass Choir, and sibling to Melvin, Doug, and Leonard Williams of the Grammy-nominated Williams Brothers. Together, the Williams family significantly influenced the sound and direction of modern gospel music.

Williams joined the Jackson Southernaires in 1964, a group formed in Jackson, Mississippi, in 1940 by music producer Frank Crisler. Under Huey's guidance, the Southernaires rose to national prominence with their 1968 hit, "Too Late," a soulful anthem that quickly became Song Bird Records' best-selling track of the year.

In 1975, the Jackson Southernaires made history as the first gospel group signed to Malaco Records. Their groundbreaking partnership produced numerous Billboard-charting albums, including "Down Home" (1975), "Legendary Gentlemen" (1979), and "Lord, We Need Your Blessing" (1985). The group consistently ranked among Billboard’s Top Gospel/Soul Artists.

The Southernaires earned three consecutive Gospel Music Workshop of America awards for Traditional Male Group of the Year (1987–1989), a Stellar Award in 1989, and a Grammy nomination in 1992 for their acclaimed album, "Thank You Mama for Praying for Me." In recognition of their enduring impact, the city of Jackson renamed a street Jackson Southernaires Drive in 2010.

Williams performed as recently as late 2024, reflecting his lifelong devotion to gospel music. A musical celebration honoring his life is scheduled for 6 p.m. on Friday, March 28, at East Fernwood Missionary Baptist Church in McComb, Mississippi. His official celebration of life will take place Saturday, March 29, at 1 p.m., preceded by visitation at 11 a.m.

Will Smith Honored in West Philly as New Album ‘Based on a True Story’ Nears Release

Courtesy Photo 

Will Smith’s deep connection to his hometown was immortalized Wednesday when the city officially renamed a stretch of 59th Street in West Philadelphia after the Oscar-winning actor and Grammy-winning rapper.

Mayor Cherelle Parker and other city leaders joined Smith at the ceremony, celebrating the legacy of one of Philadelphia’s most celebrated sons.

“Philly, I love you. I am yours. You are mine,” Smith told a crowd of family, fans and local officials. The moment came just days before the release of "Based on a True Story," his first full-length music project in more than two decades.

The ceremony, held near his alma mater Overbrook High School, was rich in nostalgia and reflection. Smith recounted lessons from his parents and the community that shaped his values.

“Nobody gets an easy ride,” he said. “That was one of the things these streets of Philadelphia taught me — that there’s nothing wrong with a hard day’s work.”

He also shared the origin of his iconic nickname: “The name ‘The Fresh Prince’ was coined in that building,” Smith said, pointing to Overbrook. “I added the ‘fresh’ because it was hip-hop slang.” The name would go on to inspire The Fresh Prince of Bel-Air, the 1990s sitcom that launched his Hollywood career and introduced West Philly to a global audience.

Now, as he prepares to drop "Based on a True Story" on Friday, Smith says this new creative chapter feels different. “This is going to be the greatest creative run of my entire career,” he said in a recent interview with The Associated Press. “I’ve spent a lot of time looking inward these last few years. I found a new creative well, a really deep, authentic place inside of me.”

 

The album explores themes of personal growth, self-reflection and resilience. Its first “season,” titled "Rave in the Wasteland," sets the tone for the project’s layered structure.

“My challenges are divine curriculum,” Smith said. “There’s a magical key in the middle of every storm, and that’s what this album is about.”

 

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The music, featuring longtime collaborator DJ Jazzy Jeff, blends classic hip-hop with modern influences. It’s a return to form for Smith — but one rooted in maturity and personal evolution.

In tandem with his musical comeback, Smith’s film career continues to evolve. Reflecting on his performance in "Emancipation," he noted how the role deepened his craft. “The work I’m doing now is going to be the greatest of my career,” he said with conviction.