Southern Rap Icon BeatKing Passes Away, Leaving a Legacy of Club Anthems

Photo Credit: Instagram/clubgodzilla

Houston rapper and producer Justin Riley, widely known by his stage names BeatKing and Club Godzilla, has died at the age of 39.

The news of his death was confirmed by his manager, Tasha Felder, in an Instagram post on Thursday. The cause of his death has not been released.

Felder’s post, which quickly garnered attention from fans and fellow artists alike, celebrated BeatKing's influence on the music scene and his deep love for his family.

"Today, Aug. 15, we have lost @Clubgodzilla," Felder wrote. "BeatKing has been the best part of the club for over a decade. He has produced and worked with so many artists that his sound will forever live. He loved his daughters @clubgodparenting, his music and his fans. We will love him forever."

BeatKing's sudden passing has left a significant void in the Southern rap community, where he was known not only for his music but for his larger-than-life persona and contributions to the Houston music scene. Born and raised in Houston, BeatKing's journey into music began in the church, where he played alongside his mother. This foundation in music led him to launch his career in 2010 with his debut mixtape "Kings of the Club," a project that quickly established him as a major player in the city's vibrant hip-hop landscape.

Over the years, BeatKing earned a reputation as a prolific artist, producing and collaborating with a wide range of musicians both within Texas and nationally. His music was a staple in Texas clubs and college parties throughout the 2010s, cementing his status as a transformative figure in Southern rap.

BeatKing's breakthrough moment on the national stage came in 2020 with the viral success of his hit single "Then Leave," a track that exploded on TikTok and introduced his unique sound to an international audience. The song, characterized by its catchy hook and infectious beat, became a defining anthem of that year, amassing millions of streams and solidifying BeatKing's place in the pantheon of viral hits.

In addition to "Then Leave," BeatKing's discography is filled with club anthems and collaborations with some of the biggest names in hip-hop. Tracks like "SDAB," featuring 2 Chainz and Juicy J, and "Keep It Poppin" with Ludacris and Queendom Come, further showcased his versatility and knack for creating music that resonated with a broad audience.

BeatKing's influence extended beyond his music. He was deeply embedded in the Houston rap scene, working with local legends like Bun B, Paul Wall, Lil Keke, Chamillionaire, DJ Chose, and Dorrough Music. His collaborations with artists like 2 Chainz, Daz Dillinger, and Juicy J further underscored his ability to bridge the gap between local success and national recognition.

Following his death, tributes poured in from across the music industry. Juicy J, a member of Three 6 Mafia and one of BeatKing's frequent collaborators, expressed his sorrow in a heartfelt post: "R.I.P. BEATKING damn this one hurt."

Despite his sudden passing, BeatKing's legacy as a trailblazer in Southern rap is firmly established. His music, characterized by its energy and authenticity, will continue to resonate with fans old and new. BeatKing's recent work, including projects like "She Won't Leave Houston" in 2023 and two albums in 2024 — "Get Money, B****" and "Never Leave Houston On A Sunday" — demonstrated his continued relevance and creativity in an ever-evolving industry.

BeatKing is survived by his two daughters, who were a central part of his life and his inspiration.

Megan Thee Stallion, GloRilla Bond Over Southern Roots, Beyoncé Love

Photo Credit: YouTube

In a lively new episode of the "Close Friends Only with Instagram" podcast, rap superstars Megan Thee Stallion and GloRilla pulled back the curtain on their budding friendship, shared Southern roots, and unabashed admiration for Queen Bey herself.

The two artists, who recently collaborated on the hit "Wanna Be" and are currently on a joint tour, candidly discussed their first meeting, revealing initial shyness from GloRilla and playful teasing from Megan Thee Stallion about her "standoff-ish" demeanor.

"I ain’t gonna lie, I was kind of shy," GloRilla admitted.

Megan Thee Stallion, in her signature playful style, retorted, "You definitely was acting scary."

But any initial reservations quickly melted away. "The first time we was at the studio when we was recording both our songs... I just felt like you was very easy to talk to," GloRilla recalled.

The pair also shared hilarious anecdotes from their tour, including Megan Thee Stallion's confession about struggling to twerk in high heels. "B****, I be finna fall," she laughed.

Both artists expressed pride in their Southern heritage and their trailblazing roles as successful female rappers from the region. They also bonded over their shared love for Beyoncé, with Megan Thee Stallion declaring, "You cannot talk ill about Beyoncé in front of me, because b**** you might not make it out."

The conversation took a lighthearted turn as they delved into their Instagram habits, particularly the strategic use of the "Close Friends" feature to catch the eye of potential love interests.

"See, that's why I’m thinking I do on God," GloRilla said, "like 'cause you know, I might like a little picture or whatever. Then you go like my a** back. Okay. Let me add you to the close friends. So you see what's going on here."

Megan Thee Stallion agreed, adding, "And then if you like it, I know what's up. Cause now this was for you to see."

The interview ended with the two playfully pleading with Beyoncé to add them to her own Close Friends list. "We ain't gonna tell!" they promised.

Watch the entire episode below.

Isaac Hayes Estate Issues Ultimatum to Trump Over Unauthorized Song Use

Photo Courtesy: Concord

The estate of Isaac Hayes, the legendary singer songwriter, has issued a stern warning to former President Donald Trump and his campaign over the repeated, unauthorized use of the iconic song "Hold On I'm Coming" at political events.

In a recent post on X (formerly Twitter), Isaac Hayes III, the son of the late artist, accused Trump and his campaign of infringing on the family's copyright of the song 134 times between 2022 and 2024. The family, represented by Walker & Associates, is demanding a payment of $3 million in licensing fees by Aug. 16, 2024, or they will pursue further legal action.

“We the family of @isaachayes Isaac Hayes Enterprises, represented by Walker & Associates, are suing @realDonaldTrump and his campaign for 134 counts of copyright infringement for the unauthorized use of the song ‘Hold On I’m Coming’ at campaign rallies from 2022-2024. We demand the cessation of use, removal of all related videos, a public disclaimer, and payment of $3 million in licensing fees by August 16, 2024. Failure to comply will result in further legal action,” Hayes III wrote.

Isaac Hayes, who passed away in 2008, co-wrote the song with David Porter as part of the Stax Records catalog. The track was made famous by the soul duo Sam & Dave. However, the song has recently become a staple at Trump’s campaign rallies, including a recent appearance in Montana, which, according to Hayes III, was the latest of the alleged infringements.

We the family of @isaachayes Isaac Hayes Enterprises, represented by Walker & Associates, are suing @realDonaldTrump and his campaign for 134 counts copyright infringement for the unauthorized use of the song “Hold On I’m Coming” at campaign rallies from 2022-2024.

We demand… pic.twitter.com/GOBLz7ejYL

— Isaac Hayes III (@IsaacHayes3) August 11, 2024

The use of the song at the Montana rally particularly rankled Hayes' family, as it coincided with the anniversary of Hayes' death. Following the rally, Hayes III took to social media to express his frustration, stating that the family had repeatedly requested Trump cease using the song and that they were now prepared to take swift legal action. Hayes III did not mince words, calling Trump a representation of "the worst in integrity and class with his disrespect and sexual abuse of women and racist rhetoric."

On the day following the Montana rally, Hayes III posted a copy of the notice of copyright infringement sent to Trump and his campaign, emphasizing that despite repeated requests, Trump had continued to use the song. The notice, issued by the family's legal representatives, outlined four key demands that must be met by Aug. 16.

Late singer and songwriter Isaac Hayes Estate has filed a demand for Trump to stop playing his favorite song that he dances to at rallies, and pay $3 Million for illegally using the song over 100 times. pic.twitter.com/3cCgf6JlmQ

— Parthiban Shanmugam (@hollywoodcurry) August 12, 2024

Trump and his campaign must immediately cease using "Hold On I'm Coming" and any other intellectual property belonging to Hayes’ family or Isaac Hayes Enterprises. All videos featuring the song must be removed from Trump’s websites, his campaign’s online platforms, the Republican National Committee's channels, and any other affiliated entities. The Trump campaign must issue an official statement publicly disavowing any endorsement or authorization from the Hayes family for the use of the song. A $3 million licensing fee must be paid to the Hayes estate, which the family describes as "very discounted" given the extent of the alleged infringement. Should the campaign fail to meet this demand, the family intends to pursue damages of $150,000 per unauthorized use, as stipulated by copyright law.

"Please be advised that failure to respond or delay in complying with these demands will be deemed evidence of intentional infringement, and we will have no choice but to proceed against all those involved, accordingly," the notice warns, expressing hope for a swift and amicable resolution.

This incident is not an isolated case in Trump’s history of unauthorized music use. Over the years, several artists, including Neil Young, Adele, Aerosmith, The Beatles and Prince, have voiced their objections to their music being played at Trump’s events without consent.

Most recently, Celine Dion's management team expressed outrage over the unauthorized use of her song "My Heart Will Go On" at the same Montana rally. A post from Dion's official X account declared, "In no way is this use authorized, and Celine Dion does not endorse this or any similar use... And really, THAT song?"